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Titlebook: Hippokrates; Eine Auslese Seiner Arnold Sack Book 1927 Julius Springer in Berlin 1927 Ethos.Gesundheit.Heilkunst.Hippokrates.Krankheit.Kra

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21#
發(fā)表于 2025-3-25 06:26:50 | 只看該作者
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發(fā)表于 2025-3-25 08:43:33 | 只看該作者
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發(fā)表于 2025-3-25 15:29:07 | 只看該作者
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發(fā)表于 2025-3-25 17:01:20 | 只看該作者
25#
發(fā)表于 2025-3-25 22:33:12 | 只看該作者
Arnold Sack Dr. Med. et Phil.challenges and creative and pedagogic practices they have adopted. Based in a range of educational situations—from compulsory to post-secondary education, art schools, departments of art education and community-based environments—these educators discuss their own training in fine art and/or art educ
26#
發(fā)表于 2025-3-26 01:34:45 | 只看該作者
Arnold Sack Dr. Med. et Phil. city of Jijel (formerly Gigérie). In recounting this event in a contemporary novel, Khalfallah represents it from a Maghrebi perspective that revalorizes local heritage through self-representation. It enables her to re-establish a positive representation of Islam in North Africa, counteracting perv
27#
發(fā)表于 2025-3-26 07:09:04 | 只看該作者
Arnold Sack Dr. Med. et Phil.ous prohibition and therefore a negation of the female’s body or, on the contrary, as a social affirmation of one’s religious identity. The echoes of these debates and of the representations of the veil have been omnipresent themes in French and Francophone literary and artistic productions like in
28#
發(fā)表于 2025-3-26 10:47:42 | 只看該作者
Arnold Sack Dr. Med. et Phil.n of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all
29#
發(fā)表于 2025-3-26 16:26:00 | 只看該作者
30#
發(fā)表于 2025-3-26 17:39:48 | 只看該作者
Arnold Sack Dr. Med. et Phil.ous prohibition and therefore a negation of the female’s body or, on the contrary, as a social affirmation of one’s religious identity. The echoes of these debates and of the representations of the veil have been omnipresent themes in French and Francophone literary and artistic productions like in
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