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Titlebook: Hip Hop, Hegel, and the Art of Emancipation; Let‘s Get Free Jim Vernon Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Art.M

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發(fā)表于 2025-3-21 16:48:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Hip Hop, Hegel, and the Art of Emancipation
副標(biāo)題Let‘s Get Free
編輯Jim Vernon
視頻videohttp://file.papertrans.cn/428/427168/427168.mp4
概述Uses a unique and approachable example to provide a commentary on Hegel‘s Lectures on Aesthetics.Draws comparisons between two unlikely sources: Hegel and Hip Hop.Engages in a philosophical exporation
圖書(shū)封面Titlebook: Hip Hop, Hegel, and the Art of Emancipation; Let‘s Get Free Jim Vernon Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Art.M
描述.This book argues that Hip Hop’s early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel’s .Lectures on Aesthetics.. It contends that the resonances between Hegel’s account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel’s philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel’s .Aesthetics., as well as providing a philosophical explanation of the Hip Hop community’s transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other. ?.
出版日期Book 2018
關(guān)鍵詞Art; Musicology; African-American Studies; Cultural studies; Art criticism; graffiti; Lectures on Aestheti
版次1
doihttps://doi.org/10.1007/978-3-319-91304-9
isbn_softcover978-3-030-08218-5
isbn_ebook978-3-319-91304-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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沙發(fā)
發(fā)表于 2025-3-21 22:31:52 | 只看該作者
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發(fā)表于 2025-3-22 03:32:49 | 只看該作者
,The South Bronx, or the “State of Nature”,by adolescents who never knew the protections of a modern civil society, Hip Hop culture reflects less anger at the state which stifled or neglected them than the compelled, but heroic, resurgence of the most immediate means through which humanity transforms itself and its world into reflections of its free, creative essence.
地板
發(fā)表于 2025-3-22 08:09:30 | 只看該作者
MCing, or the Romantic Stage of Art,ties (reflecting . poetry’s capture of communal existence in celebratory language), through to its eventual dominance as the . of the idiosyncratic imagination of individual poets (reflecting the . celebration of infinitely free and contingent subjectivity) simultaneously charts the break between Hip Hop culture and subsequent “rap music”.
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Graffiti Writing, or the Symbolic Stage Art, veritable temple for the celebration of humanity’s universal spirit. In process, graffiti constructed a unified ethical culture grounded in artistic practice, which ultimately fragmented when it attracted the interest of the outside world.
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發(fā)表于 2025-3-23 07:35:24 | 只看該作者
ng and consumer research. The aim of using a dual-stage SEM and ANN approach is to obtain linear and non-compensated relationships because the ANN method captures non-compensated relationships based on the black box technology of artificial intelligence. Hence, the ANN approach validates the results
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