Titlebook: High Above; The untold story of Chris Forrester Book 2011 Springer-Verlag Berlin Heidelberg 2011 Aerospace.Broadcasting Technology.Busines

含水層

Chris Forrestereils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.978-3-662-27868-0978-3-662-29370-6

Irritate

,01 TV that ‘Comes Alive’,full of jargon and buzz words, we are an industry that has to constantly look to the future, while remembering the lessons of the past. Pick whichever buzz word you like, it really doesn’t matter because our digital future is here now and key to all these developments is satellite. All we have to do

暴行

02 Location, Location, Location,, the key is to broadcast from a great height, so the transmissions can ‘see’ over hills, into valleys and beyond local obstacles. Since the early days of terrestrial television, that meant mounting the transmitters at the top of tall buildings or on even taller masts.

MOTIF

03 A Place in Space,seminal 1968 Oscar-winning film, ‘2001: A Space Odyssey’. But prodigious, varied and credible though his creative output has been, for many, his key achievement was as the founding father of satellite communications.

畏縮

04 Luxembourg: The Mouse that Roared, Europe. Public broadcasting, much of it good, had an entrenched position while emerging commercial networks were already shaking up the industry. But satellite would provide the breakthrough, the electric shock to a system that had developed over three decades in a rather slow, stable and state-con

SLUMP

fender

07 Astra Cracks the German Market,nsponders on Astra 1A (19.2 degrees East), which had been carrying Astra test captions for months, suddenly sprang to life. Germany‘s main commercial television channels RTL plus (now RTL), SAT.1 and PRO 7 (now ProSieben) appeared, broadcasting their regular programmes. And they could simply be pick

tariff

08 Overcoming the Barrier,rom the very start. “The Social Democrats who governed in coalition with the Liberal Party FDP until 1983 were strong proponents of public broadcasting, whereas the Conservatives on the opposition regarded themselves as subject to discrimination by the public broadcasters. There was the famous term

仇恨

四目在模仿