Titlebook: Heroin, Acting, and Comedy in New York City; Barry Spunt Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Film.Drugs.Andy Wa

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Comedians,asons reported by many others over the years, as opposed to reasons specific to being a comedian; and that sample members reported just adverse effects from their heroin use. I also found that the outlaw/rebel subculture and identity were factors helping to explain the heroin misuse of the sample.

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Introduction,s that little is known about heroin use by actors or comedians. I present the main thesis of the book concerning the link between subculture, identity, and heroin use; the hypotheses to be examined; the research design for the study; and a chapter-by-chapter plan for the book.

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Mainstream Actors,ent and modern actors varied in terms of reasons for first use; that the effects of heroin were mostly adverse for both groups; and that subculture and identity play a somewhat different role in heroin misuse for the two groups.

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Conclusion, findings from Chap. . and how these findings contribute to the knowledge base on drugs, film, and theatre. I propose that this study adds to the knowledge base in a number of areas within sociology. I also suggest some follow-up studies addressing the heroin—performing connection.

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Book 2017n of the book is the role that subculture and identity play in helping us to understand the heroin use of these entertainers. Spunt captures the voices of actors and comedians through narrative accounts from a variety of secondary sources. He also examines how New York-based films about heroin relate to the major themes of his research.

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of entertainers as well as their overall career goals.IncludThis book focuses on New York City-based actors and comedians who are self-acknowledged heroin users. Barry Spunt examines a number of hypotheses about the reasons why actors and comedians use heroin as well as the impact of heroin on perfo

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