Titlebook: Heroes and Heroism in British Fiction Since 1800; Case Studies Barbara Korte,Stefanie Lethbridge Book 2017 The Editor(s) (if applicable) an

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Genteel

Ann-Marie Einhausr sentience is all that matters morally. Wouldn’t the very capacity for moral thinking count for something—a capacity that is possessed only by humans? Moreover, a speciesist need not be indifferent to the suffering inflicted on non-human animals by humans.

有角

Anindya Raychaudhurisheep, humans have a duty to respect the rights of wolves and sheep alike. This argument invites the objection that it makes it difficult to see how it could be wrong for humans to kill and eat animals if it is not wrong for animals to kill and eat each other.

BIPED

acquisition

,Potentially the Noble Creature? Picturing Heroism in Henry Rider Haggard’s ,igure of the ‘noble’ heroine, Martin examines the positioning of . within the genre of the Victorian adventure novel and argues that the illustrated book form is ideologically significant in its ambiguous casting of heroism, gender and authority in Victorian print culture.

讓步

The Fate of Heroism After Industrialisation: The Working-Class Male in the British Nineteenth-Centuated the wishes and anxieties of the middle classes by proxy. The reading of a whole range of novels reveals that in the context of middle-class mentalities with their emphasis on domesticity, self-help and work ethic, role models for a decidedly moral kind of heroism were needed.

CLOWN

Jargon

atrophy

學(xué)術(shù)討論會(huì)

Victims and Heroes Get All Mixed Up: Gender and Agency in the Thriller,gement with the gendering of agency. While this gendering may confirm stereotypes, the more intriguing examples such as McDermid’s . use the disturbing elements of the thriller to unsettle orthodox assumptions about heroism and gender.