Titlebook: Hermeneutics of the Film World; A Ric?urian Method f Alberto Baracco Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 FaP.fil

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Alberto Baraccoat time, although there has been a steady decrease since 1976, the number of experiments conducted in Britain each year mushroomed from a few hundred to the present level of about three million. The Cruelty to Animals Act 1876, which effected some control of animal research, remained solidly in plac

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Alberto Baraccoimal experiments, or at least those experiments that are not in the best interests of the animal subjects. Reformists, or welfarists, seek better safeguards for animals subjected to experimentation. Spanning both categories are people seeking to transform the research process so that animal-based me

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Phenomenology of Film an approach to film as a phenomenon. According to Merleau-Ponty (1945), phenomenology is a philosophical approach that puts essences back into existence and seeks to describe rather than explain or analyse. It is concerned with the perception and understanding of the world and being-in-the-world. I

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Hermeneutics of Filmntyan film phenomenology with Ric?urian hermeneutics of film. According to Ric?ur, such a combination is based on the relative incompleteness of the two philosophical perspectives taken individually. Hermeneutics of the film focuses on the process of film interpretation and is engaged in investigati

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: The Film World as Identityist and his city. This aspect emerges starting in the opening scene through and undergoes the continuous reformulations of the protagonist Isaac Davis who, as an emotionally unstable and chronically dissatisfied television writer, is struggling with the first lines of a new novel. From the beginning