Titlebook: Henry James and the Art of Dress; Clair Hughes Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 2001 America.ficti

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,The ‘Colour of Life’ in ,,hood than a celebration of it. Daisy Miller’s pale-coloured frivolities of the 1870s, while fashionable and appropriate to her youth, mark a shift into a fussier, more fiercely polychromatic period of dress than that of the mid-century, following the introduction of the sewing machine and the develo

osteoclasts

Milly Theale in ,,strategy of the ‘reflecting consciousness’. But Milly Theale’s evolving awareness of how she is seen, and how she she sees others, is crucial to the unfolding of the plot of .. Half-way through Book 1, Milly, as a New Yorker on a visit to Europe, is launched onto the London social scene. She sits at

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vitrectomy

,‘Muffled’ and ‘Uncovered’ in ,,s. The eponymous Roderick Hudson meets the fatal Christina Light, in ‘vaporous white’ through Gloriani, in Rome; Lambert Strether, of . has his New England preconceptions overturned around 1900 when he meets Marie de Vionnet at Gloriani’s Paris garden party, in a black dress that isn’t altogether bl

存在主義

Emg827

New Fashioned Ghosts, forty years earlier. In a story of 1868, ‘A Romance of Certain Old Clothes’, a pair of eighteenth-century American sisters battle to the death and beyond for the favours of a young Englishman, using the weapons of dress. The clothes they fight with are ‘buried’ in an old chest. Maggie’s chest and i

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