Titlebook: Heidegger and Future Presencing (The Black Pages); Spencer Golub Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusiv

最有利

Spencer Golubid as any substance that quickly assumes the shape of the container in which it is placed. Regardless of the specific definition, common experience shows that materials in either their liquid or their gaseous phases can fall within the purview of fluid mechanics.

災(zāi)禍

re and velocity fields in fluids under various conditions of interest. Solutions of these differential equations allow us to compute values of many important quantities of interest at each point in the flow field at each time. Such detail is often necessary, for example, to compute wall shear stress

該得

冰河期

Book (Decomposition),ematic, and literary mise-en-scène. Spaces narrate beyond containment in Joseph Cornell’s shadow boxes, in .’s peeling wallpaper hotel room, and resulting from an unhinged door in . Serial writer-performers Hamlet and the Ghost, Charlotte Rampling, and Bruce Willis recur. Hedda Gabler walks through

Limerick

synovitis

Horse (Why Is There Something Else Rather Than Something?),troubling number and memory (revisiting Chapter 2’s themes of looping and pre-sequeling as variations on Roubaud’s interpolations and bifurcations). The contested “is-ness” or is-the-case-ness of character considered in a close reading of Godard’s film ., where numbers and words collide to fracture

fetter

原來

強(qiáng)有力

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