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Titlebook: Heavy Metal Music, Texts, and Nationhood; (Re)sounding Whitene Catherine Hoad Book 2021 The Editor(s) (if applicable) and The Author(s), un

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發(fā)表于 2025-3-21 16:58:29 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Heavy Metal Music, Texts, and Nationhood
副標(biāo)題(Re)sounding Whitene
編輯Catherine Hoad
視頻videohttp://file.papertrans.cn/426/425086/425086.mp4
概述Offers a sustained critical interrogation of the whiteness of metal scenes, cultures, and practices.Analyses the significance of whiteness and its textual formations in Norway, South Africa and Austra
叢書(shū)名稱Leisure Studies in a Global Era
圖書(shū)封面Titlebook: Heavy Metal Music, Texts, and Nationhood; (Re)sounding Whitene Catherine Hoad Book 2021 The Editor(s) (if applicable) and The Author(s), un
描述.This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance.?The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour,?and affirms the exclusory understandings of ‘belonging’ which have featured in the metal scenes of Norway, South Africa, and Australia.?.Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes..?.The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism..
出版日期Book 2021
關(guān)鍵詞Heavy metal; Sociology of music; Norway; South Africa; Australia; Heteromasculinity; Nationalism; Black met
版次1
doihttps://doi.org/10.1007/978-3-030-67619-3
isbn_softcover978-3-030-67621-6
isbn_ebook978-3-030-67619-3Series ISSN 2946-3173 Series E-ISSN 2946-3181
issn_series 2946-3173
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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ddam Hussein had developed—and was continuing to perfect—biological, chemical, and nuclear weapons, which he could either deliver on missiles hundreds of miles from their launching batteries or hand over to terrorist networks for their deadly use.
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Introduction,sion of a series of distinct, nationally-situated projects. Such projects are realised, in my analysis, through the procession of texts which are produced within and shape the histories of specific heavy metal scenes.
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Mapping Representation in Metal Music Studies,, which engages Metal Music Studies as a field: as Robert Walser (., Duke University Press, 2011: 333) has noted, ‘what is at stake, as always, is not just the actual nature of a reality that is to be represented, but the context of the representing, its purpose’.
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