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Titlebook: Heaven, Earth, and In-Between in the Harmony of Life; Anna-Teresa Tymieniecka Book 1995 Springer Science+Business Media Dordrecht 1995 Edm

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樓主: 貧血
31#
發(fā)表于 2025-3-27 00:48:55 | 只看該作者
The Natural and the Culturaleflect upon the meaning of culture. In a sense everybody understands what nature and culture mean. Nature denotes many things or events such as mountains, animals, bird’s nests, storms, the sexual drive, and a baby’s cry, whereas culture refers to such things or events as skyscrapers, dolls, houses,
32#
發(fā)表于 2025-3-27 05:08:48 | 只看該作者
33#
發(fā)表于 2025-3-27 09:09:52 | 只看該作者
Die Grundstruktur des Bewu?tseins: Husserl und Xiong Shili im Vergleichschen den beiden Schulen ist von Dr. Iso Kern bemerkt und oft hervorgehoben worden. Er schrieb in seinem Artikel . den folgenden Satz:.Ph?nomenologische Probleme, wie Iso Kern gezeigt hat, nicht nur in der Geschichte der europ?ischen Philosophie, sondern auch in der Geschichte der anderen Kulturen a
34#
發(fā)表于 2025-3-27 09:57:15 | 只看該作者
The Twofold Phenomenon in Naming: A Reflection from the Confucian-Taoist Yin-Yang Dialectical, Monistuitive and dialectical. If this contention holds true, then the Eastern ideas could converge with this trend in what may be modified as a view of a twofold phenomenon (Yin-Yang) in a dialectical relationship of complementarity in contradiction for describing the being and becoming of world phenomen
35#
發(fā)表于 2025-3-27 14:10:21 | 只看該作者
Meditative Reason and the Holistic Turn to Natural Phenomenologyt lesson in the global evolution of philosophy is that “What is First” situates and contextualizes all that appears, all existence, all discourse, all experience and phenomena. The centuries of living experiments in diverse traditions of first philosophy reveal that there is no getting around the ab
36#
發(fā)表于 2025-3-27 20:46:12 | 只看該作者
37#
發(fā)表于 2025-3-27 23:17:15 | 只看該作者
Dwelling Poetically: A Heideggerian Interpretation of Ssu-K’ung T’ u’ s Poeticseggerian tendency to see in poetry a paradigm of (authentic) human existence is by no means foreign to the Chinese tradition. A case in point is The . (., or . for short) by a ninth century Chinese poet/critic, Ssu-K’ung T’u. This very influential work of literary criticism is “a set of twenty-four
38#
發(fā)表于 2025-3-28 05:27:32 | 只看該作者
39#
發(fā)表于 2025-3-28 08:37:24 | 只看該作者
40#
發(fā)表于 2025-3-28 11:31:17 | 只看該作者
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