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Titlebook: Haunted Seasons; Television Ghost Sto Derek Johnston Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Television.radio.horror

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樓主: hector
21#
發(fā)表于 2025-3-25 03:35:45 | 只看該作者
2634-6214 moved into broadcasting. It demonstrates how these horror traditions have become more domestic and personal, and how they provide a necessary seasonal pause for reflection on our fears.978-1-349-56245-9978-1-137-29895-9Series ISSN 2634-6214 Series E-ISSN 2634-6222
22#
發(fā)表于 2025-3-25 09:58:14 | 只看該作者
978-1-349-56245-9The Editor(s) (if applicable) and The Author(s) 2015
23#
發(fā)表于 2025-3-25 12:36:33 | 只看該作者
Haunted Seasons978-1-137-29895-9Series ISSN 2634-6214 Series E-ISSN 2634-6222
24#
發(fā)表于 2025-3-25 17:02:57 | 只看該作者
25#
發(fā)表于 2025-3-25 21:04:39 | 只看該作者
https://doi.org/10.1057/9781137298959Television; radio; horror; ghost story; Christmas; Halloween; history; broadcasting; cultural history; televi
26#
發(fā)表于 2025-3-26 01:31:53 | 只看該作者
2634-6214 moved into broadcasting. It demonstrates how these horror traditions have become more domestic and personal, and how they provide a necessary seasonal pause for reflection on our fears.978-1-349-56245-9978-1-137-29895-9Series ISSN 2634-6214 Series E-ISSN 2634-6222
27#
發(fā)表于 2025-3-26 07:08:42 | 只看該作者
Derek Johnstonndemic on the global economy, the future of globalization, and the challenges faced by the international community in assisting developing countries achieve poverty eradication and sustainable development. The last part summarizes the main topics addressed by each of the chapters.
28#
發(fā)表于 2025-3-26 10:42:35 | 只看該作者
Seasonality, Nostalgia, Heritage and History,riality and spatiality of everyday life’ (1994, p. 20), its daily, weekly and annual schedules both reproducing and shaping the temporal structures of everyday life. By examining broadcasting schedules, then, we can see a more codified, and simplistic, version of how society is generally temporally structured.
29#
發(fā)表于 2025-3-26 13:04:27 | 只看該作者
The British Ghost Story at Christmas,a developed. This requires drawing upon archaeological, historical and literary resources, and making a number of suppositions. A problem here is that we are dealing with the history of storytelling, a largely oral culture or tradition, and so one which leaves little in the way of historical traces.
30#
發(fā)表于 2025-3-26 19:37:58 | 只看該作者
Introduction: Defining Television Gothic,nally broadcast at Christmas or Halloween, which led back to the obvious question arising from the . label: why show a ghost story at Christmas? And why does this appear to be a British tradition, with US programmes showing their ‘horror’ episodes at Halloween?
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