Titlebook: Hart Crane‘s Queer Modernist Aesthetic; Niall Munro Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Hart Cra

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書目名稱Hart Crane‘s Queer Modernist Aesthetic影響因子(影響力)




書目名稱Hart Crane‘s Queer Modernist Aesthetic影響因子(影響力)學(xué)科排名




書目名稱Hart Crane‘s Queer Modernist Aesthetic網(wǎng)絡(luò)公開度




書目名稱Hart Crane‘s Queer Modernist Aesthetic網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Hart Crane‘s Queer Modernist Aesthetic被引頻次




書目名稱Hart Crane‘s Queer Modernist Aesthetic被引頻次學(xué)科排名




書目名稱Hart Crane‘s Queer Modernist Aesthetic年度引用




書目名稱Hart Crane‘s Queer Modernist Aesthetic年度引用學(xué)科排名




書目名稱Hart Crane‘s Queer Modernist Aesthetic讀者反饋




書目名稱Hart Crane‘s Queer Modernist Aesthetic讀者反饋學(xué)科排名

Discrete

潰爛

持久

Niall Munroecondary metabolites and detoxification; biology, disease control and management; symbiontic fungi and mycorrhiza; and phytopathogenicity..978-3-662-49593-3978-3-642-36821-9Series ISSN 2945-8048 Series E-ISSN 2945-8056

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Introduction: Relationality,r to the image and to the hands, either to try and pose their own hands in a similar fashion, with the thumb invisible but the first four fingers in various stages of being bent, or simply to acknowledge that such a gesture could be an affective one of comfort or certainty. The hands therefore suggest something relational, of tactile possibility.

古董

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Introduction: Relationality,sed for Walker Evans’s camera in 1929–1930 (Figure I.1). Evans took a number of other photographs of Crane at the time this untitled picture was taken, but in photographing the poet’s hands he emphasized Crane’s identity as a writer. The pose itself might even suggest something of Crane’s style: sel

虛弱

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圍巾