Titlebook: Harold Pinter; Bernard F. Dukore (University Distinguished Profes Textbook 1988Latest edition Macmillan Publishers Limited 1988 dramatist.

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書目名稱Harold Pinter影響因子(影響力)




書目名稱Harold Pinter影響因子(影響力)學科排名




書目名稱Harold Pinter網(wǎng)絡公開度




書目名稱Harold Pinter網(wǎng)絡公開度學科排名




書目名稱Harold Pinter被引頻次




書目名稱Harold Pinter被引頻次學科排名




書目名稱Harold Pinter年度引用




書目名稱Harold Pinter年度引用學科排名




書目名稱Harold Pinter讀者反饋




書目名稱Harold Pinter讀者反饋學科排名

大吃大喝

flavonoids

Struggles for Power,r. In them potential victims fight victimisation, even try to victimise their antagonists; and who is victor, who victim, is often ambiguous. . adumbrates this question. Although Walter succeeds in regaining his room, he loses Sally; although she is dispossessed, she does not fall under his control.

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The Place of Pinter,fers to discuss practical matters, but he admits that this preference is ‘no more than a pious hope, since one invariably slips into theorising, almost without noticing it, and I distrust theory.’. Nevertheless his theoretical statements are acute. Like the minimalist dialogue of his plays, his minimalist theorising resonates widely.

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積云

Encephalitis

Menace and the Absurd,In 1957 David Campton coined the term ’Comedies of Menace’ as the subtitle of his one-act plays collectively called . In 1958 Irving Wardle applied it to . Although he subsequently wanted to withdraw the label,. its aptness made it stick.

拱墻

Memory Plays,In most of Pinter’s plays the past is unclear: Stanley’s transgression (.), Aston’s experience in the mental asylum (.), adultery (.), and so forth. More prominently than before, however, the works treated in this chapter focus on the past. Usually they are called memory plays.

缺乏

Recapitulations and Fresh Starts,In certain respects, to be explored below, Pinter’s most recent plays recapitulate earlier themes and techniques. In other respects, also to be examined, they move — sometimes provisionally, sometimes boldly — in new directions. With ., and ., the familiar terrain is more obvious than the new; with ., and ., the reverse.

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