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Titlebook: Handbuch Maschinenbau; Grundlagen und Anwen Alfred B?ge,Wolfgang B?ge Textbook 201422nd edition Springer Fachmedien Wiesbaden 2014 Arbeitsm

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樓主: Julienne
21#
發(fā)表于 2025-3-25 06:05:40 | 只看該作者
Friedrich Kemnitz,Arnfried Kemnitzing amongst adult and community educators, curators, artists, directors, and cultural activists who work within and beyond the walls of these institutions. The various chapters take up the complex and interconnected pedagogics of subjectivity, identity, meaning making and interpretation, knowledge,
22#
發(fā)表于 2025-3-25 11:05:10 | 只看該作者
Gert B?ge,Wolfgang B?ge,Peter Kurzweilo want museums to display passively the art of centuries ago without commentary or challenge, or from the community or staff who may assume the museum is there simply to show history from traditional and dominant voices, or from visitors that expect an exhibit to provide entertainment or shallow dis
23#
發(fā)表于 2025-3-25 12:28:35 | 只看該作者
24#
發(fā)表于 2025-3-25 17:37:45 | 只看該作者
Alfred B?ge,Gert B?ge,Wolfgang B?get adult and community educators, curators, artists, directors, and cultural activists who work within and beyond the walls of these institutions. The various chapters take up the complex and interconnected pedagogics of subjectivity, identity, meaning making and interpretation, knowledge, authority,
25#
發(fā)表于 2025-3-25 21:39:14 | 只看該作者
Wolfgang Wei?bacho want museums to display passively the art of centuries ago without commentary or challenge, or from the community or staff who may assume the museum is there simply to show history from traditional and dominant voices, or from visitors that expect an exhibit to provide entertainment or shallow dis
26#
發(fā)表于 2025-3-26 04:13:20 | 只看該作者
27#
發(fā)表于 2025-3-26 07:15:05 | 只看該作者
28#
發(fā)表于 2025-3-26 10:58:12 | 只看該作者
29#
發(fā)表于 2025-3-26 12:43:20 | 只看該作者
30#
發(fā)表于 2025-3-26 17:15:41 | 只看該作者
Johannes Sebulkeo want museums to display passively the art of centuries ago without commentary or challenge, or from the community or staff who may assume the museum is there simply to show history from traditional and dominant voices, or from visitors that expect an exhibit to provide entertainment or shallow dis
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