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Titlebook: Handbook on Originality in Copyright; Cases and Materials Indranath Gupta Living reference work 0Latest edition Intellectual Property.Copy

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樓主: odometer
21#
發(fā)表于 2025-3-25 04:06:05 | 只看該作者
22#
發(fā)表于 2025-3-25 10:18:30 | 只看該作者
,The Concept of Originality in Bangladesh’s Copyright Jurisprudence,1962, and 2000. All three regimes mention “originality” as a requirement for grant of a copyright over any literary, musical, artistic, or dramatic work. Regardless, such “originality” requirement has never been a subject matter of any judicial decision. On the other hand, Bangladesh being a least d
23#
發(fā)表于 2025-3-25 13:35:42 | 只看該作者
24#
發(fā)表于 2025-3-25 18:30:33 | 只看該作者
The Concept of Originality in Greece,ivil law tradition. Copyright Act 2121/1993 operates a high standard of protection for authors and related rights’ holders. Originality is the only basic requirement for a work to be protected by copyright. The Greek standard of originality was for a work to be ‘statistically unique’ meaning that no
25#
發(fā)表于 2025-3-25 22:03:56 | 只看該作者
The Concept of Originality in Hong Kong,t. As Hong Kong is a small jurisdiction, the related case laws are slender in quantity and lean in style. However, Hong Kong courts have contributed greatly to the development of the UK originality standard with the . case. After the 1997 handover, the Hong Kong originality standard is unaffected by
26#
發(fā)表于 2025-3-26 01:24:20 | 只看該作者
27#
發(fā)表于 2025-3-26 05:42:13 | 只看該作者
The Concept of Originality in New Zealand Copyright Law,llowed the United Kingdom (UK) approach, and in determining whether a work is sufficiently original for it to be protected by copyright, New Zealand has adopted the “skill, judgment and labor” test. Section 14 of the Copyright Act 1994 provides that copyright protects original works, which are works
28#
發(fā)表于 2025-3-26 08:37:00 | 只看該作者
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發(fā)表于 2025-3-26 16:24:48 | 只看該作者
30#
發(fā)表于 2025-3-26 17:12:29 | 只看該作者
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