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Titlebook: Handbook of Ultraviolet Methods; Robert G. White Book 1965 Springer Science+Business Media New York 1965 Absorption.Sorption.experiment.pa

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書(shū)目名稱(chēng)Handbook of Ultraviolet Methods
編輯Robert G. White
視頻videohttp://file.papertrans.cn/423/422334/422334.mp4
圖書(shū)封面Titlebook: Handbook of Ultraviolet Methods;  Robert G. White Book 1965 Springer Science+Business Media New York 1965 Absorption.Sorption.experiment.pa
描述This is a book that I wrote for myself. It was started 16 years ago when my duties began to include the origina- tion of ultraviolet spectrophotometric testing methods for products of in- terest to my company. Painful and wasteful experiences of rediscovering someone else‘s ana- lytical procedures soon led to my keeping notebooks and card files of published UV methods. Many times since, these files have enabled me to avoid conducting lengthy experiments or making tedious literature searches. When I decided to share them with others, I greatly expanded their scope to include clinical, biochemical, and pharmacological analysis, as well as other topics not normally part of either my responsibility or my in- terests. This volume consists of more than 1600 references to analyses accom- plished using UV absorption measurements, arranged alphabetically by senior author. The book is compound-oriented; that is, it deals with materials, and most papers dealing primarily with instrumentation and techniques have been excluded. Some of these items merely mention the subject treated. Others are abstracts containing enough detail to permit use of the method without consulting the original article
出版日期Book 1965
關(guān)鍵詞Absorption; Sorption; experiment; paper; pharmacology; ultraviolet
版次1
doihttps://doi.org/10.1007/978-1-4684-7173-1
isbn_softcover978-1-4684-7175-5
isbn_ebook978-1-4684-7173-1
copyrightSpringer Science+Business Media New York 1965
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R. G. WhiteMelrose‘s book draws on Bourdieu, de Certeau, Pecheux and Halliday and investigates recent theatre work by singular practitioners, in an attempt to establish the outlines of a ‘new semiotics‘ of dramatic performance.
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978-1-4684-7175-5Springer Science+Business Media New York 1965
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nature of this dependency), what we are looking for are the means to recognise and locate the writerly components which, in intersecting with the diverse ‘models of knowledge’ outlined above, provide the ‘dispositifs’ or grids or ‘enabling structures’, on the basis of which we can constitute the ou
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Robert G. Whitenot to represent, that is theatre’s question!”, Georges Banu (1986) explores the recent northern European fascination with Japanese theatre, made concrete in the Mnouchkine/. presentation of . In so doing he takes up the thread of inquiry into otherness (and its relation to the one, or the given) wh
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