Titlebook: Handbook of Creativity; John A. Glover (Teachers College),Royce R. Ronning Book 1989 Springer Science+Business Media New York 1989 Motivat

minimal

The Nature-Nurture Problem in Creativitylled experiments, this chapter has to rely very largely on observational and interview studies, historical or biographic information, the opinions of critics or colleagues about creative individuals, and discussions of theories, all of which are liable to ambiguity and subjectivity.

CHOKE

Cognitive Processes in Creativityly with creative productivity, that is, with creativity expressed in the actual production of creative works and not with the unexpressed potential for producing such works. Second, I will be concerned only with creative acts at the highest level, that is, with the best and most valued works of artists, scientists, and scholars.

FLIP

Metacognition in Creativitynother, the chapters in this part of the book all address this issue. The purpose of this chapter is to examine the creative process from the perspective of one particular aspect of cognition—metacognition.

樂(lè)意

的闡明

富足女人