Titlebook: Handbook of Computer Animation; John Vince Book 2003 Springer-Verlag London Limited 2003 Virtual Reality.algorithms.animation.compositing.

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Shooting Live Action for Combination with Computer Animation,tion, photographing the live action and combining the two into a seemingly single integral image. Such shots may be divided into two types. On the one hand are the computer graphic shots, which are almost complete in themselves, apart from requiring the addition of one or more live-action elements.

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Smooth Surface Representation over Irregular Meshes,odeling, do suffer from one important limitation: the control mesh must be structured to have a rectangular topology. This limitation has made it very awkward for many modeling tasks in computer animation, such as the modeling of branches and non-quadrilateral patches.

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Malte Faber,Gunter Stephan,Peter Michaelistion, photographing the live action and combining the two into a seemingly single integral image. Such shots may be divided into two types. On the one hand are the computer graphic shots, which are almost complete in themselves, apart from requiring the addition of one or more live-action elements.

Implicit

Matthias Kleiner,Robert Schillingodeling, do suffer from one important limitation: the control mesh must be structured to have a rectangular topology. This limitation has made it very awkward for many modeling tasks in computer animation, such as the modeling of branches and non-quadrilateral patches.

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,Ziehen dickwandiger Hohlk?rper,s the computer animator’s camera, which records the virtual world in a format that can be broadcast. While the rendering process involves many well-documented stages, these have often been considered in isolation, and it is not always clear how these techniques can be combined into a practical rende

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