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Titlebook: Hamlet and Emotions; Paul Megna,Bríd Phillips,R. S. White Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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發(fā)表于 2025-3-21 19:15:43 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Hamlet and Emotions
編輯Paul Megna,Bríd Phillips,R. S. White
視頻videohttp://file.papertrans.cn/421/420647/420647.mp4
概述First volume to take a history of emotions approach to analysing Hamlet.Features contributions from a wide range of well-known Shakespeare scholars.Explores new readings of the play, focusing on many
叢書名稱Palgrave Shakespeare Studies
圖書封面Titlebook: Hamlet and Emotions;  Paul Megna,Bríd Phillips,R. S. White Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen
描述This volume bears potent testimony, not only to the dense complexity of .Hamlet.’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in .Hamlet., as well as the myriad emotions surrounding .Hamlet.’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in .Hamlet., while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on .Hamlet., others explore how .Hamlet. anticipates modern discourses on emotion, and still others ask how .Hamlet. itself can complicate and contribute to our current understanding of emotion..
出版日期Book 2019
關鍵詞Affect; Anger; Love; Hatred; Grief; Melancholy; Despair; Early modern theatre; Renaissance; History of emotio
版次1
doihttps://doi.org/10.1007/978-3-030-03795-6
isbn_ebook978-3-030-03795-6Series ISSN 2731-3204 Series E-ISSN 2731-3212
issn_series 2731-3204
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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A Conjuration of Patrick: A Legacy of Doubt and Imagining in essay explores one aspect of the intrusion of the medieval past upon the Renaissance present of the play, conjured up by Hamlet’s exclamation, ‘by Saint Patrick’. In this reference, Hamlet calls up the tradition associated with Saint Patrick’s Purgatory in Ireland, which originated, in literary form
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’s ‘Spendthrift Sigh’: Emotional Breathing On and Off the Stage and the external and between actors and audience. Drawing on Renaissance and modern theories of emotions to explore the affective resonance of sighing in ., the chapter examines what it means to waste one’s self in breath, or how breath consumes the body as much as it invigorates it. Hypocritical,
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發(fā)表于 2025-3-23 04:41:28 | 只看該作者
‘Eyes Without Feeling, Feeling Without Sight’: The Sense of Sight in ‘look’ and ‘see’. Theories of vision in early modern literature were driven by the work of Galen and mediated through the writings of thinkers such as Thomas Wright, Anthony Munday, and George Hakewill. In this chapter I examine the complex interplay between vision and emotion in .: a play in which
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