Titlebook: Hallucinatory Realism in Chinese Literature; Essays on Mo Yan and Lin Jiang Book 2023 The Editor(s) (if applicable) and The Author(s), unde

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,Samsara, Violence, and Satire: A Discussion of the Absurd Narration in Mo Yan’s ,e writing conventions of his native soil, dragging the reader through a traversal imagination of the elaboration of overflowing desire and violent carnival world of Northeast Gaomi Township. His work . deals with this topic once again, but there is also an element of the abstract involved. One eleme

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Psychogenic

,Is , an ‘Almost Reactionary Work’? Comments on the Conceptions and Methods of Mr. He Guorui’s LiterArt’, He Guorui strongly criticises Mo Yan’s novel . for being an ’almostreactionary work’ and accuses some academics and critics of claiming that this novel ‘makes people believe in this absurdity’.He Guorui’s critique seems to be subjective, partial, and dogmatic, and this chapter will discuss the

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,The Fact and Fable in ,: About Mo Yan’s Narrative Strategies,s realism and allegory, are taken to extremes. More uniquely, he successfully combined these two strategies by all means and brings out a brand new way, which makes readers focus on the magic among the chapters and feel horrible and amazing.

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,Elegy of History and the Swan Song of Life: A Discussion of Mo Yan’s New Novel ,is work not only has the traditional structure, but also forms a dramatic narration way called ., which means the spoken parts in an opera, through imitating and parodying folk arts of talking and singing. Mo Yan also demonstrates penalties with great fanfare. This is the swan song of life, the poig

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