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Titlebook: Haiti and the United States; National Stereotypes J. Michael Dash Book 1997Latest edition Palgrave Macmillan, a division of Macmillan Publi

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發(fā)表于 2025-3-21 19:19:17 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Haiti and the United States
副標(biāo)題National Stereotypes
編輯J. Michael Dash
視頻videohttp://file.papertrans.cn/421/420510/420510.mp4
圖書(shū)封面Titlebook: Haiti and the United States; National Stereotypes J. Michael Dash Book 1997Latest edition Palgrave Macmillan, a division of Macmillan Publi
描述Imaginative literature, argues Michael Dash, does not merely reflect, but actively influences historical events. He demonstrates this by a close examination of the relations between Haiti and the United States through the imaginative literature of both countries. The West‘s mythification of Haiti is a strategy used to justify either ostracism or domination, a process traced here from the nineteenth-century until it emerges with a voyeuristic fierceness in the 1960s. In an effort to resist these stereotypes, Haitian literature becomes a subversive manoeuvre permitting Haitians to ‘rewrite‘ themselves. The Unites States ‘invented‘ Haiti as a land of savagery and mystery, a source of evil and shame. Weaving together text and historical context, Dash discusses the durability of these images, which continue to shape official policy and popular attitudes today.
出版日期Book 1997Latest edition
關(guān)鍵詞argue; English literature; event; Haiti; Imagination; literature; policy; USA; weaving
版次2
doihttps://doi.org/10.1007/978-1-349-25219-0
isbn_softcover978-0-312-16490-4
isbn_ebook978-1-349-25219-0
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1997
The information of publication is updating

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發(fā)表于 2025-3-22 00:17:23 | 只看該作者
lose examination of the relations between Haiti and the United States through the imaginative literature of both countries. The West‘s mythification of Haiti is a strategy used to justify either ostracism or domination, a process traced here from the nineteenth-century until it emerges with a voyeur
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Alicia Valero,Antonio Valero,Guiomar Calvo of the creation of self-serving or rather self-aggrandizing images designed to tame the alien or threatening world on the outside. These images acquire a cumulative force over time and consistently resurface in order to define and reconstruct Haiti in terms which emphasize its difference or ‘Otherness’.
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