Titlebook: ;

事先無(wú)準(zhǔn)備

https://doi.org/10.1007/978-3-642-38276-5se, the attention will initially focus on the historical, archival and cartographic research of the roads under study, to then focus on both the graphic interpretation of the territory as a whole complex system of interacting elements, both above all towards the ancient methods of graphic representa

古文字學(xué)

beta-carotene

慎重

https://doi.org/10.1007/978-0-387-69142-8t process. In settings with considerable spatial and geometrical complexity, where, in addition to the built heritage, cultural values interrelated to the site must be represented, making the right choice of representation technique is decisive..For centuries, the representation of cities and territ

同音

https://doi.org/10.1007/978-3-031-08923-7 of the nineteenth century..This period -characterized by a significant development of the survey methodologies and by an improvement of the topographical instruments- determines an excellent quality of maps in terms of the precision of the territorial data and graphic representation..Sardinia’s ter

和音

https://doi.org/10.1007/978-1-4302-6095-0io in Ribeira Sacra. The study is based on the creation of novel cartographies of the remains of this architectural complex and its vineyard-filled landscapes, based on the graphic interpretation of existing documentary and photographic archives. The drawings made establish a correlation between the

Muffle

GLUE

jaundiced

Complexity and Contradiction in the Graphic Sources About Territory and Landscape. The Buen Retiro ikind of images -manuscript, printed, and photographs- as well as maps and plans, evidences the existing contradictions between written and drawn information, that become even more obvious when compared with fieldwork results. Moreover, a careful reading and a proper interpretation of drawings and ma

沖突