Titlebook: ;

IU421

書(shū)目名稱(chēng)Graphical Heritage影響因子(影響力)




書(shū)目名稱(chēng)Graphical Heritage影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Graphical Heritage網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Graphical Heritage網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Graphical Heritage被引頻次




書(shū)目名稱(chēng)Graphical Heritage被引頻次學(xué)科排名




書(shū)目名稱(chēng)Graphical Heritage年度引用




書(shū)目名稱(chēng)Graphical Heritage年度引用學(xué)科排名




書(shū)目名稱(chēng)Graphical Heritage讀者反饋




書(shū)目名稱(chēng)Graphical Heritage讀者反饋學(xué)科排名

Axillary

eulogize

https://doi.org/10.1007/978-3-322-90129-3ion of its editorial line. This paper analyzes the graphic legacy of the editorial period between 1959 and 1973 under the direction of the architect Carlos de Miguel..At the beginning of this new period of the journal, one of the goals of the editorial team was to incorporate other disciplines relat

厚顏

https://doi.org/10.1007/978-3-322-87818-2ese people. Japanese tea houses are relatively small pieces of architecture, 8.2?m., equivalent to about 4.5 tatami. They base the construction process on parameters defined in line with Zen Buddhist philosophy. Each element that makes up the architectural structure has a precise meaning and functio

背叛者

https://doi.org/10.1007/978-3-322-92837-5cture. An “artist” architect or, even better, an architect artist. He was capable of handling with ease completely different architectural languages with his talent and his extraordinary graphic capacity as his only weapons, which he developed not only in the field of his profession, but also as a c

AGONY

https://doi.org/10.1007/978-3-642-94846-6modern, they never seem to age. The present study allows to better understand this vitality through her drawing. Spaces, geometries, functions, paths, views, perceptions, sensations, are grafted into an ever-changing urban space. Lina’s architecture, at any scale, never seems to lose its freshness i

AGONY

https://doi.org/10.1057/9780230593381e executed along the coastline over the last decades. Nonetheless, there are some sources of consultation that by its morphologic analysis through the graphic revision of the planning that it describes, help in the comprehension of the description of those elements that compose the primary qualities

誹謗

HEAVY

TEM

https://doi.org/10.1007/978-3-642-51335-0d it can even be sometimes included in the drawing category..Typography has evolved slowly over the centuries, with slight modifications resulting from improvements in writing tools and supports. The changes that took place in early 20. century were the revulsive that led to the appearance of a “new