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樓主
發(fā)表于 2025-3-21 18:04:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Graham Greene
編輯Neil Sinyard
視頻videohttp://file.papertrans.cn/388/387773/387773.mp4
叢書名稱Literary Lives
圖書封面Titlebook: ;
出版日期Book 2003
版次1
doihttps://doi.org/10.1057/9780230535800
isbn_softcover978-0-333-72987-8
isbn_ebook978-0-230-53580-0Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
The information of publication is updating

書目名稱Graham Greene影響因子(影響力)




書目名稱Graham Greene影響因子(影響力)學(xué)科排名




書目名稱Graham Greene網(wǎng)絡(luò)公開度




書目名稱Graham Greene網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Graham Greene被引頻次




書目名稱Graham Greene被引頻次學(xué)科排名




書目名稱Graham Greene年度引用




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書目名稱Graham Greene讀者反饋




書目名稱Graham Greene讀者反饋學(xué)科排名




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沙發(fā)
發(fā)表于 2025-3-21 22:17:44 | 只看該作者
板凳
發(fā)表于 2025-3-22 02:38:23 | 只看該作者
https://doi.org/10.1007/978-3-658-36533-2ublished his autobiography and who, Fielding wrote, ‘lived the life he recorded and is by many thought to have lived such a life only in order to write it’.. Greene sometimes felt that there was too much of a critical tendency to see his career in the same way: that is, that he lived the life he did
地板
發(fā)表于 2025-3-22 06:49:54 | 只看該作者
5#
發(fā)表于 2025-3-22 09:13:08 | 只看該作者
https://doi.org/10.1007/978-3-663-05793-2 up in the morning around 6.30 a.m. and write for two hours. He would write 500 words — in old age, this was reduced to 300 — and he would count them carefully in the margin as he wrote. When he reached the requisite number, he would stop, however well the writing was going. He wrote always by hand
6#
發(fā)表于 2025-3-22 16:49:30 | 只看該作者
Internet und Multimedia-Anwendungen,n Graham Greene. He has been a film critic, screenwriter, screenplay adaptor, script doctor, letter-writer on matters cinematic and even film actor. Moreover virtually every fictional word he ever wrote has been adapted for either film or television, one of the few exceptions being ., which Greene t
7#
發(fā)表于 2025-3-22 18:23:51 | 只看該作者
Medieval Animals: The Fast and the Slow,m two examples of humour that were to serve him as a guideline. One was simply his film, . (1954), one of his most mordantly comic tales in which the cast spend most of the time trying to explain or hide Harry’s dead body. (Come to think of it, . would be a superb alternative title to ..) The second
8#
發(fā)表于 2025-3-22 21:19:18 | 只看該作者
https://doi.org/10.1007/978-1-349-27578-6ally important occasions, he always preferred the truth. The truth can be double-checked’. Truth as strategic policy as much as personal principle: what you disclose is limited to what can be checked. One feels there is a lot of Greene in that. From childhood, particularly in his having to negotiate
9#
發(fā)表于 2025-3-23 02:49:27 | 只看該作者
10#
發(fā)表于 2025-3-23 06:14:18 | 只看該作者
https://doi.org/10.1007/978-3-030-64934-0llowing comment about Greene as a film critic: He was one of the most incisive to have written in England, even given his strange miasma about the work of Alfred Hitchcock. And there must be another book to be written … about the lack of contact between these two poets of English criminality and bad
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