Titlebook: Gothic Dissections in Film and Literature; The Body in Parts Ian Conrich,Laura Sedgwick Book 2017 The Editor(s) (if applicable) and The Aut

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https://doi.org/10.1007/978-3-031-32850-3g Victor Hugo’s novel . (1869) and its film adaptation, . (1928), while the lips sealed shut are addressed using the films . (2005) and . (2014). Lips suspended during ventriloquism is discussed using Edgar Allan Poe’s 1845 short story ‘The Facts in the Case of M. Valdemar’ and the film . (2007).

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H.-K. Müller-Hermelink,K. Lennerton is discussed in relation to the film . (1981). The uncanny beat of a dead man’s heart is addressed in Edgar Allan Poe’s 1843 short ‘The Tell-Tale Heart’ and its 1941 film adaptation. The mad science of heart transplant fiction is explored in the films . (1936), . (1961), . (1969), . (1992) and . (2007), and Judy Budnitz’s . short story ‘Guilt’.

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B. Christensson,B. Tribukait,P. Biberfeldes the castrating power of the avenging woman and female genitals using the film . (2007) and Clive Barker’s . short story ‘The Madonna’. The extreme links between sex and death, the mutilated and the desecrated body, are explored using the films . (1981), . (2008) and . (2009), the German horror film . (1991) and the novel . (1984).

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Ian Conrich,Laura SedgwickFirst book to focus on the Gothic whilst exploring a diverse range of body parts across film and literature.The chapters break the body into separate parts and explore each one through clear and origi

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Gothic Dissections in Film and Literature978-1-137-30358-5Series ISSN 2634-6214 Series E-ISSN 2634-6222

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