Titlebook: God and Self in the Confessional Novel; John D. Sykes, Jr. Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Augustine.Rousse

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后來(lái)

John D. Sykes, Jr.Draws on novels from the eighteenth to the twenty-first century.Examines theological, historical, and philosophical influences on confession.Considers confession and guilt both within and outside reli

atrophy

https://doi.org/10.1007/978-3-319-91322-3Augustine; Rousseau; guilt in literature; the self in literature; confession in literature; Catholic guil

pulse-pressure

Book 2018el?? Beginning with the premise that guilt remains a universal human concern, this book considers confession via the classic confessional texts of Augustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s .The Sorrows of Young Werther., Dostoevsky’s .Notes from Undergrou

AIL

Book 2018ustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s .The Sorrows of Young Werther., Dostoevsky’s .Notes from Underground., Percy’s .Lancelot., and McEwan’s .Atonement. to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century..

Implicit

orrows of Young Werther., Dostoevsky’s .Notes from Underground., Percy’s .Lancelot., and McEwan’s .Atonement. to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century..978-3-030-08224-6978-3-319-91322-3

Implicit

.Considers confession and guilt both within and outside reli.God and Self in the Confessional Novel .explores the question: what happened to the theological practice of confession when it entered the modern novel?? Beginning with the premise that guilt remains a universal human concern, this book co

ALB

Flexion Contracture and Femoral Sizing,y influential literary confessions, those of Augustine and Rousseau. In four novels, one from each century from the eighteenth to the present, this book will explore competing notions of God, self, and the burden of guilt as a first-person narrator confronts them.

MINT

Marissa D. Jamieson,Thomas O. Clantoner this hidden monad. Confession is therefore a means to personal authenticity rather than a declaration of guilt, and the primary audience is the reader rather than God, who effectively disappears from Rousseau’s narrative.

小卷發(fā)

https://doi.org/10.1007/978-3-663-06757-3 evil in its true light as the dark thing that the love of the good God has forbidden. This will in turn open the door to a sacramental confession promising forgiveness and self-knowledge as an antidote to sin.