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Titlebook: Globalization, Music and Cultures of Distinction; The Rise of Pop Musi Simone Varriale Book 2016 The Editor(s) (if applicable) and The Auth

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發(fā)表于 2025-3-21 17:22:58 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Globalization, Music and Cultures of Distinction
副標(biāo)題The Rise of Pop Musi
編輯Simone Varriale
視頻videohttp://file.papertrans.cn/387/386975/386975.mp4
概述Provides a new framework for studying how global forces inform the emergence of new cultural institutions, tastes and practices of distinction.Presents findings in an under-research area: how globaliz
圖書(shū)封面Titlebook: Globalization, Music and Cultures of Distinction; The Rise of Pop Musi Simone Varriale Book 2016 The Editor(s) (if applicable) and The Auth
描述.This book. .is the first comprehensive account of how Anglo-American popular music transformed Italian cultural life. Drawing on neglected archival materials, the author explores the rise of new musical tastes and social divisions in late twentieth century Italy...The book reconstructs the emergence of pop music magazines in Italy and offers the first in-depth investigation of the role of critics in global music cultures. It explores how class, gender, race and geographical location shaped the production and consumption of music magazines, as well as critics’ struggle over notions of expertise, cultural value and cosmopolitanism...Globalization, Music and Cultures of Distinction .provides an innovative framework for studying how globalization transforms cultural institutions and aesthetic hierarchies, thus breaking new ground for sociological and historical research. It will be essential reading for scholars and students interested in cultural sociology, popular music, globalization, media and cultural studies, social theory and contemporary Italy..
出版日期Book 2016
關(guān)鍵詞race; sociology; gender; class; Pierre Bourdieu; Stratification; popular culture; Social Theory; media studi
版次1
doihttps://doi.org/10.1057/978-1-137-56450-4
isbn_ebook978-1-137-56450-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Landscapes of the First World Warnds, but that this ‘rock habitus’ had to be sensitized to the properties of different musics, and that it was significantly affected by musicians’ gender and race. Further, the chapter considers how affiliation with different editorial projects shaped critics’ evaluative discourses.
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Wesentliche Merkmale der Postmoderne,ed vis-à-vis different socio-historical contexts. More generally, the chapter highlights the role of music magazines as public spheres ripe with conflict and power asymmetries (Fraser .), but which nonetheless enhanced a reflection about the inequalities affecting Italian youth.
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Globalization and Artistic Legitimation: Reconceptualizing Bourdieues are mobilized by competing groups of experts (‘legitimation struggles’); and the reception of their cultural distinctions among publics with unequal symbolic and economic resources (‘homologies and asymmetries’).
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Economic Cosmopolitanism: The Case of ,be as ‘loose’ aesthetic boundaries. Moreover, the chapter considers the possibility, unexplored in Bourdieu’s work, that commercial success may be transformed into a form of prestige and symbolic capital.
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on.Presents findings in an under-research area: how globaliz.This book. .is the first comprehensive account of how Anglo-American popular music transformed Italian cultural life. Drawing on neglected archival materials, the author explores the rise of new musical tastes and social divisions in late
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