Titlebook: Globalization and the State in Contemporary Crime Fiction; A World of Crime Andrew Pepper,David Schmid Book 2016 The Editor(s) (if applicab

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The Bad and the Evil: Justice in the Novels of Pago Ignacio Taibo II,ion, despite the fact that his work contains many features that are quite traditional. Taibo’s main protagonist, Hector Belascoarán Shayne, is, in many ways, a prototypical private eye; his novels are usually set entirely in Mexico City, and his villains are usually individuals who may, or may not,

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,Work and Death in the Global City: Natsuo Kirino’s , as Neoliberal Noir,f global neoliberalism. By telling the stories of downwardly mobile women factory workers whose specifically gendered experiences mark the ways in which neoliberalism colludes with structural forms of sexism, misogyny and economic exploitation, Breu shows how Kirino challenges and disrupts the boost

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,“Local Hells” and State Crimes: Place, Politics, and Deviance in David Peace’s Red Riding Quartet,ng Quartet (four novels set in the North of England between the late 1960s and 1983) as articulations of new formations of political and economic power. Shaw discusses the ways in which Peace’s novels are firmly situated in cartographically specific locations, yet also move beyond the confines of th

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The Scene of the Crime is the Crime: The Southern Border and the Representation of Violence in Cormrritorialization of capitalism itself, embodied in the ceaseless flow of goods and services across the border zone. According to Shoop, McCarthy’s . and Winslow’s . represent two very different approaches to the status of the border and efforts to map the effects of global capitalism, and US geopoli

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True-Crime, Crime Fiction, and Journalism in Mexico, and the unsolved killings of women in the border city of Ciudad Juárez—not only dominate Mexican crime fiction, but produce new, hybridized forms of writing, as the boundaries between journalism, nota rojas (“extensive compilations of anecdotes of violence), self-published narco tales, and crime fi

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The Novel of Violence in Latin American Literature,on is a product of the ways in which extreme violence, typically perpetuated by the state and its proxies, has been normalized as a social pattern in late-modern Latin America. In particular, the essay examines the ways in which contemporary Latin American authors both draw on, and reinvent, the con

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Scandinavian Crime Fiction and the Facts: Social Criticism, Epistemology, and Globalization,o examine how crime, and the investigation of crime, has been narrativized in contemporary Scandinavian crime fiction, and what the implications of this might be. Nestingen argues that Stieg Larsson’s “Millennium” novels in general, and the figure of Lisbeth Salander, in particular, enact a new form