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Titlebook: Global Frankenstein; Carol Margaret Davison,Marie Mulvey-Roberts Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Mary Shell

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發(fā)表于 2025-3-21 18:12:15 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Global Frankenstein
編輯Carol Margaret Davison,Marie Mulvey-Roberts
視頻videohttp://file.papertrans.cn/387/386276/386276.mp4
概述Explores the versatility and interdisciplinary applications of Frankenstein in areas such as science, alchemy, hypertext, dance, art, post-humanism, computer games, and Victorian steampunk.Provides a
叢書名稱Studies in Global Science Fiction
圖書封面Titlebook: Global Frankenstein;  Carol Margaret Davison,Marie Mulvey-Roberts Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Mary Shell
描述.Consisting of sixteen original essays by experts in the field, including leading and lesser-known international scholars., Global Frankenstein. considers the tremendous adaptability and rich afterlives of Mary Shelley’s iconic novel, .Frankenstein., at its bicentenary, in such fields and disciplines as digital technology, film, theatre, dance, medicine, book illustration, science fiction, comic books, science, and performance art. This ground-breaking, celebratory volume, edited by two established Gothic Studies scholars, reassesses .Frankenstein.’s global impact for the twenty-first century across a myriad of cultures and nations, from Japan, Mexico, and Turkey, to Britain, Iraq, Europe, and North America. Offering compelling critical dissections of reincarnations of .Frankenstein., a generically hybrid novel described by its early reviewers as a “bold,” “bizarre,” and “impious” production by a writer “with no common powers of mind”, this collection interrogates its sustained relevance over two centuries during which it has?engaged with such issues as mortality, global capitalism, gender, race, embodiment, neoliberalism, disability, technology, and the role of science.?.
出版日期Book 2018
關(guān)鍵詞Mary Shelley; gothic studies; victorian studies; science fiction; disability studies; Young Frankenstein;
版次1
doihttps://doi.org/10.1007/978-3-319-78142-6
isbn_softcover978-3-030-08623-7
isbn_ebook978-3-319-78142-6Series ISSN 2569-8826 Series E-ISSN 2569-8834
issn_series 2569-8826
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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發(fā)表于 2025-3-21 23:54:38 | 只看該作者
XLeitf?den der angewandten Informatikn of a wide range of material, including Horace’s . farces cited by the earliest critics, Horace Walpole’s . and my own theatrical practice, helps to explain the multitude of critical and creative responses, from .’s first appearance to the present day, that deplore, exploit, and celebrate its multi-faceted generic potential.
板凳
發(fā)表于 2025-3-22 04:08:23 | 只看該作者
Informationstechnik in der Kreditwirtschaft-garde films. The chapter considers the ways in which metaphoric (across national identities) and actual (within the film text itself) cutting lead to the creation of new ‘cinematic life’ through transnational genre hybridity and the making of new films out of old, dead ones.
地板
發(fā)表于 2025-3-22 08:09:11 | 只看該作者
Tabellenkalkulation mit Multiplan, A feminist approach will be offered by Broutin, Huyette, and Odriozola, who dwell on the female daemon and the usurpation of the female body. Finally, we consider Wrightson and Grimly, and the steampunk aesthetic by Basic and Sumberac, all of them offering their most personal interpretation of the text by embracing . as a universal myth.
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發(fā)表于 2025-3-22 10:38:45 | 只看該作者
https://doi.org/10.1007/978-3-322-85745-3yche. I call this phenomenon the . meme, building on the meme theories of Richard Dawkins, Susan Blackmore, and Aaron Lynch. This chapter traces the course of Shelley’s original narrative through a sample of popular culture, noting the direct impact of .’s crucial components, and examines the fitness of . as a meme.
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Beyond the Filthy Form: Illustrating Mary Shelley’s A feminist approach will be offered by Broutin, Huyette, and Odriozola, who dwell on the female daemon and the usurpation of the female body. Finally, we consider Wrightson and Grimly, and the steampunk aesthetic by Basic and Sumberac, all of them offering their most personal interpretation of the text by embracing . as a universal myth.
9#
發(fā)表于 2025-3-23 02:05:37 | 只看該作者
The , Meme: The Memetic Prominence of Mary Shelley’s Creature in Anglo-American Visual and Material yche. I call this phenomenon the . meme, building on the meme theories of Richard Dawkins, Susan Blackmore, and Aaron Lynch. This chapter traces the course of Shelley’s original narrative through a sample of popular culture, noting the direct impact of .’s crucial components, and examines the fitness of . as a meme.
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