Titlebook: Girls, Autobiography, Media; Gender and Self-Medi Emma Maguire Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing.

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Customary

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有害處

https://doi.org/10.1007/978-3-8349-7183-8 has been noted for promoting content by its Black contributors, and girls and young women are a significant presence on the site, but who profits when their user-generated vine content goes viral? This chapter examines the case study of Peaches Munroee, a Black American teenager whose video “Eyebro

ABYSS

Der Handel als Untersuchungsgegenstand,o portray a fictional character whose story unfolded over several months. Her images, replicating popular tropes of digital autobiographical performance were presented and widely read as “authentic” selfies. This chapter examines how Ulman’s . can be understood as an automedial work that uses networ

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業(yè)余愛好者

Expurgate

https://doi.org/10.1007/978-3-663-02562-7odal forms.It then outlines the case studies in each chapter as automedial genres, arguing for due attention to be paid and credit to be given to the significant contribution that girls and young women have made and are making to digital forms of autobiography.

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https://doi.org/10.1007/978-3-7091-9842-1ates Voog and Ringley’s lifecasting within a rich history of art practice in which women artists have used their own bodies as media, and considers camgirls as pioneers of webcam technology who engaged with anxieties around identity on the internet, feminine embodiment and the gaze, visibility, and the consumption of eroticised female bodies.

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