找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Gilles Deleuze and Film Criticism; Philosophy, Theory, Dominic Lash,Hoi Lun Law Book 2023 The Editor(s) (if applicable) and The Author(s),

[復(fù)制鏈接]
樓主: GLOAT
11#
發(fā)表于 2025-3-23 12:59:44 | 只看該作者
12#
發(fā)表于 2025-3-23 15:09:47 | 只看該作者
https://doi.org/10.1007/978-3-642-90991-7n?.—is composed of multiple, intersecting layers. Finally, Deleuze claims that spectacle in Fellini’s films is not opposed to the real or true but is instead what the real is composed of. As Deleuze puts it, in Fellini ‘The spectacle becomes universal’.
13#
發(fā)表于 2025-3-23 21:44:55 | 只看該作者
Hans-Jürgen Frank-Schmidt,Emil Heinz Grault Deleuze’s readings of . beautifully exemplify some of the philosopher’s central ideas both about film and about human agency, while also pointing towards some significant challenges that might be raised against them.
14#
發(fā)表于 2025-3-24 00:33:01 | 只看該作者
What Does Deleuze Do When He Does Film Criticism? unique cinematographic ideas invented by filmmakers. This chapter explores what the concept of the cinematographic idea, central to Deleuze’s conception of the aesthetic possibilities of film, can tell us about his practice as a film critic and, by doing so, probes what his work can teach us about film criticism.
15#
發(fā)表于 2025-3-24 05:47:52 | 只看該作者
Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinemahey see as (in different ways) the possibilities of cinema as engaged in modes of thought and thinking. Drawing out this affinity also places Deleuze within a contemporary cluster of trans-Atlantic critics who were exploring the ways that cinema carves out and creates modes of temporality.
16#
發(fā)表于 2025-3-24 07:47:33 | 只看該作者
“Something Possible, Otherwise I Will Suffocate”: A Marginal Reading of Chapter 7, Section 2 of Deleus movements, tensions, and sparks of thought when faced with the unthinkability of belief in an age of post-traumatic nihilism. Facsimiles of the author’s coded marginalia in dialogue/conflict with Deleuze’s troubled text are the basis for analyses of films which Deleuze, it would appear, is compelled to leave in an embryonic state.
17#
發(fā)表于 2025-3-24 13:57:05 | 只看該作者
18#
發(fā)表于 2025-3-24 15:37:08 | 只看該作者
Hypnosis-Images: Indiscernibility and Hypnotic Agency in Gilles Deleuze’s t Deleuze’s readings of . beautifully exemplify some of the philosopher’s central ideas both about film and about human agency, while also pointing towards some significant challenges that might be raised against them.
19#
發(fā)表于 2025-3-24 22:47:52 | 只看該作者
20#
發(fā)表于 2025-3-25 02:16:32 | 只看該作者
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-10 01:27
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
稻城县| 济宁市| 桓台县| 宝鸡市| 耒阳市| 宝清县| 格尔木市| 安图县| 双峰县| 曲阜市| 盘锦市| 运城市| 合阳县| 潮安县| 保德县| 镇雄县| 漠河县| 黔江区| 都昌县| 玛沁县| 永春县| 抚顺市| 龙岩市| 获嘉县| 大田县| 仙桃市| 芒康县| 东山县| 应城市| 锦屏县| 大厂| 原平市| 西丰县| 福建省| 青浦区| 吉林省| 辽源市| 介休市| 广汉市| 沁水县| 成安县|