Titlebook: Gilbert and Sullivan; Interviews and Recol Harold Orel (University Distinguished Professor) Book 1994 Palgrave Macmillan, a division of Mac

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L. Aschoff,M. Bürger,E. W?hlischrican papers do likewise. Not only eulogies but anecdotes abound. It is as if every story, every repartee, every pun or quip of his had been stored up as it appeared, and now they fill columns. It may not be possible to quote one saying of his which has not been quoted during these last few days, an

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Handbuch der Kulturwissenschaftenall pioneers and innovators, and founders of schools — and no one will deny that Mr Gilbert has been all three — he is eminently a strong man, a man of extraordinary independence of character, who can stand or pursue his way alone and never fear to insist on what he believes to be the justice of his

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Friedrich Jaeger,Burkhard Liebschmy optimism — that if you were now beginning your career, you would find the circumstances more propitious to serious work than you did in the ‘sixties and ‘seventies. It was you yourself — was it not? — who complained in those days of the tyranny of ‘the young girl in the dress-circle’. Well, the y

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Die endliche Laplace-Transformation — a highly popular institution among a cosmopolitan flock of young people mostly with appetites too big for their pockets — was the future Sir Arthur Sullivan, as notable then for easy charm of manner, and adaptability to all sorts and conditions of persons and circumstances, as when he became no l

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https://doi.org/10.1007/978-3-0348-6984-3dships not the least pleasant and fruitful was that struck up with Arthur Sullivan, just returned from Leipzig, where he had been studying in company with Walter Bache,. Carl Rosa,. John F. Barnett. and Franklin Taylor.. The beginning of his friendship with Sullivan, with whom he remained on the mos

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Die Heliotherapie chirurgischer Erkrankungen the editor-ship of the . newspaper, which at that period stood in sore need of reorganisation. In those bygone days, I remember my old friend E. L. Blanchard. remarking to me ‘that the one faculty required for dramatic and musical criticism was a copious repertory of complimentary adjectives’. Unmi