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Titlebook: Gifts, Markets and Economies of Desire in Virginia Woolf; Kathryn Simpson Book 2009 Palgrave Macmillan, a division of Macmillan Publishers

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書目名稱Gifts, Markets and Economies of Desire in Virginia Woolf
編輯Kathryn Simpson
視頻videohttp://file.papertrans.cn/386/385750/385750.mp4
圖書封面Titlebook: Gifts, Markets and Economies of Desire in Virginia Woolf;  Kathryn Simpson Book 2009 Palgrave Macmillan, a division of Macmillan Publishers
描述This book brings a new dimension to the critical debate about the complex relationship of Woolf to the marketplace and commodity culture?through a focus on the gift economy at work in Woolf‘s writing, exploring the political subversiveness of the gift and its significance in?her modernist aesthetics.
出版日期Book 2009
關鍵詞aesthetics; fiction; Woolf; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230228436
isbn_softcover978-1-349-54601-5
isbn_ebook978-0-230-22843-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2009
The information of publication is updating

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A Gift of Vision: , and ,is a gift exchange’ (158), he claims the part played by art and the artist is of fundamental importance to the social, emotional and spiritual survival of a culture. The creative gift generates a sense of community, continuity and future plenitude and immortality: ‘In the realized gifts of the gifte
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,Moments of Giving: Generosity and Desire in Woolf’s Short Fictions,e building on the sparse critical work that has gone before (notably the work of Dean Baldwin and Avrom Fleishman), and reassessing this aspect of Woolf’s . in the light of both modernist literary concerns with form, and the interconnected growth of the short story genre around the turn of the centu
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https://doi.org/10.1007/978-3-642-91507-9 critically under-represented in favour of a focus on her novels. Literary journalism was of central importance to Woolf’s entry into the literary profession, and she benefited in many ways from her success as a reviewer and essayist in the marketplace, not only in financial rewards (until the late
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Organisation der geistigen Arbeitis a gift exchange’ (158), he claims the part played by art and the artist is of fundamental importance to the social, emotional and spiritual survival of a culture. The creative gift generates a sense of community, continuity and future plenitude and immortality: ‘In the realized gifts of the gifte
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