Titlebook: Ghosts of Theatre and Cinema in the Brain; Mark Pizzato Book 2006 Mark Pizzato 2006 brain.novel.stage.theatre.William Shakespeare

揭穿真相

Exploit

Brain Stages, theatre of ghosts and gods, emerging within and between our ancestors’ brains.. Donald uses archeological research to argue that around two million years ago—when the species . evolved with bigger brains, improved tool use, and more meat eating than the prior Australopithecines—hominids became “hig

芳香一點(diǎn)

Epilogue,y fought on the side of the goodies or the baddies.” She explains that Ann’s father, who is home from the war but staying in bed rather than joining them at their meal, “fought for England on the side of the goodies.” Ann then asks, “How do you know who the goodies and the baddies are?” Her mother’s

PAC

2947-5767 he brain‘s anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.978-1-349-53343-5978-1-4039-8329-9Series ISSN 2947-5767 Series E-ISSN 2947-5775

盡管

conscience

Book 2006Pizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the ‘mind‘s eye‘, as Hamlet says). He explores the brain‘s anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.

不適

指耕作

溫和女孩

Atheroma