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Titlebook: Getting Signed; Record Contracts, Mu David Arditi Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr

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發(fā)表于 2025-3-21 17:51:56 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Getting Signed
副標(biāo)題Record Contracts, Mu
編輯David Arditi
視頻videohttp://file.papertrans.cn/386/385442/385442.mp4
概述Explores how ideology motivates aspiring musicians to sign even unfavorable contracts and obscures the reality of record contracts.Demonstrates how conventional paths to success continue to dominate t
圖書封面Titlebook: Getting Signed; Record Contracts, Mu David Arditi Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr
描述.Record contracts have been the goal of aspiring musicians, but are they still important in the era of SoundCloud? Musicians in the United States still seem to think so, flocking to auditions for .The Voice .and .Idol .brands or paying to perform at record label showcases in the hopes of landing a deal. The belief that signing a record contract will almost infallibly lead to some measure of success— the “ideology of getting signed,” as Arditi defines it—is alive and well.. . Though streaming, social media, and viral content have turned the recording industry upside down in one sense, the record contract and its mythos still persist. .Getting Signed.?provides a critical analysis of musicians’ contract aspirations as a cultural phenomenon that reproduces modes of power and economic exploitation, no matter how radical the route to contract. Working at the intersection of Marxist sociology, cultural sociology, critical theory, and media studies, Arditi unfolds how the ideology of getting signed penetrated an industry, created a mythos of guaranteed success, and persists in an era when power is being redefined in the light of digital technologies. ?.
出版日期Book 2020
關(guān)鍵詞Marxist sociology; critical theory; music industry; digital culture; viral media; music industry studies;
版次1
doihttps://doi.org/10.1007/978-3-030-44587-4
isbn_softcover978-3-030-44586-7
isbn_ebook978-3-030-44587-4
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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沙發(fā)
發(fā)表于 2025-3-21 22:09:53 | 只看該作者
,Verst?rker, Treiber und Gatter,ses throughout the book including ideology, hegemony, and exploitation. Ideology helps to reproduce the dominant material relations in society. This chapter analyzes the “ideology of getting signed” and theorizes ideology. Because most people are unaware of how record contracts operate at the same t
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地板
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發(fā)表于 2025-3-22 08:56:08 | 只看該作者
Anwendung von Zeichen auf den Kontextr a contract. The ideology of getting signed develops from the American capitalist ethos of competition: eat or be eaten. Neoliberalism is the current stage of capitalism that views competition as the crucial characteristic of society. This chapter presents competition in music as a visible expressi
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發(fā)表于 2025-3-22 16:43:58 | 只看該作者
egree to which they want to make a living from it. This chapter addresses one of the motivations behind signing a record contract: the cohesion of bands. Arditi focuses on the following questions. Does an individual band member see himself or herself as a musician or as a band member? How does this
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發(fā)表于 2025-3-23 05:17:23 | 只看該作者
Grundlagen der Elektromobilit?ting that many musicians receive benefits from signing. While most musicians will never be a wealthy celebrity, signing a record contract does allow them to live the “rock star” dream. This section of the conclusion demonstrates seductive forces exist to sign a record contract that benefits musicians
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發(fā)表于 2025-3-23 08:12:02 | 只看該作者
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