Titlebook: Gertrude Stein and the Making of Literature; Shirley Neuman (Professor of English),Ira B. Nadel Book 1988 Palgrave Macmillan, a division o

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,The Difference of her Likeness: Gertrude Stein’s ,Here are the first two lines of Gertrude Stein’s .:

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https://doi.org/10.1007/978-3-642-59329-1nting and literature for more than a century; and it presents an acute case of the dialogic situation inherent in all literature and salient in modernist literature. One must wonder, then, why a generation of moderns would direct such animus toward Stein and, in effect, direct a generation of critic

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,eSport im deutschen Profifu?ball,f 1901–3 told in her first novel, .., and the descriptions of acquaintances entered in her first notebooks record her struggle to comprehend her perceptions as her struggle to write them. Throughout the years, struggle characterised writing. The popular picture of Gertrude Stein working at her ample

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Introduction: The Emergence of eSports,entieth-century literature (., p. 96). This ambivalent attitude toward James persisted throughout her career: on the one hand she rejected his direct importance to her writing, but on the other she praised his formative role in fashioning the style of American literature. In her 1935 lectures entitl

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https://doi.org/10.1007/978-3-030-53051-8 critical discourse of one art form and to apply them to another.. Thus, taking our examples from painting and literature, we may proceed either by beginning with an art-historical term such as ‘cubism’, which has a (more or less) clearly defined meaning in painting, and attempting to apply it to li

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