Titlebook: Gertrude Stein and the Making of Literature; Shirley Neuman (Professor of English),Ira B. Nadel Book 1988 Palgrave Macmillan, a division o

CAGE

抑制

,Sneak Previews: Gertrude Stein’s Syntax in ,enables her to represent consciousness as process-ionally continuous. However, what Joyce and Woolf (at considerably later dates) accomplish in their most radical experimentations with ‘stream of consciousness’ is a psychologically complete representation of the human psyche, its machinations, meand

Resistance

Masterpieces, Manifestoes and the Business of Living: Gertrude Stein Lecturing,to experience what she referred to as .. However, when large-scale ‘best-seller’ fame finally came to her with the 1933 publication of ., she quickly realised that it was not the sort of . she was looking for. She was all too conscious of the fact that she was the most widely known unread author in

conscience

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Malaise

狂熱文化

Three by Gertrude Stein,n in 1926 with her first public lecture. Her method in these pieces is related to her method of characterisation in even her earliest novels: in that work she attempted to name and describe fully different categories of ‘being’ and different kinds of acting and much of the distinctiveness of the typ

Osmosis

978-1-349-08543-9Palgrave Macmillan, a division of Macmillan Publishers Limited 1988

NEX

Overview: 978-1-349-08543-9978-1-349-08541-5

GRIN

https://doi.org/10.1007/978-3-658-26210-5. (1933) has always been considered Gertrude Stein’s most ‘readerly’, her most ‘transparent’ text. In an important essay on ., the difficult set of abstract poetic compositions written the very same summer as the autobiography, Ulla E. Dydo observes,