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Titlebook: German Philhellenism; The Pathos of the Hi Damian Valdez Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 enlightenment

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發(fā)表于 2025-3-21 17:33:58 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱German Philhellenism
副標(biāo)題The Pathos of the Hi
編輯Damian Valdez
視頻videohttp://file.papertrans.cn/385/384350/384350.mp4
圖書封面Titlebook: German Philhellenism; The Pathos of the Hi Damian Valdez Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 enlightenment
描述Philhellenism the fascination with the art, politics, religion and society of ancient Greece- is a powerful and compelling phenomenon in German culture and intellectual history, creating a language and a series of key ideas that were to exert a continuous influence on German thought, aesthetics and politics well into the twentieth century. In this book Valdez examines the first generation of German Philhellenes from Winckelmann to Goethe. He shows how German Philhellenism was torn between the search for a historical whole which could explain and encompass Greek excellence, and the desire to incorporate individual aspects of Greece in a wider ethical and artistic enterprise, and finally, to give it a place in the history of freedom itself. Valdez also shows that German philhellenic ideas grew out of a dialogue with French and British ideas and historiography. He charts how the fascination with Greek antiquity was reflected in theatre and literature and how the longings and idealisation of Philhellenes clashed with the more critical and sober historians of the Enlightenment. The book also explains how the search for the historical reality of philhellenic ideals created intense emotio
出版日期Book 2014
關(guān)鍵詞enlightenment; Greece; history; liberty
版次1
doihttps://doi.org/10.1057/9781137293152
isbn_softcover978-1-349-45108-1
isbn_ebook978-1-137-29315-2
copyrightPalgrave Macmillan, a division of Nature America Inc. 2014
The information of publication is updating

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House Officers Guidelines 1: Housekeeping two generations; that of Winckelmann and Herder, and that of Schiller and the younger Goethe. It tells the story of philhellenic ideas in the half century before Romanticism and Napoleon changed the terms in which the various legacies of Greek antiquity were conceived and manifested in art, literat
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Patrick George Minges,Robert W. Shaffertutions, as much as they were the happy creation of Greek individual genius. These institutions were themselves embedded in a wider historical process best described as a philosophical geography: different regions of the history of antiquity embodied different characters and propensities, distinct p
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https://doi.org/10.1007/978-1-4757-3514-7 and Diotima could not but reflect to some extent the really existing women of Athens that surrounded their creators.. For others, the Antigones and Andromaches reflected instead a bygone age of power and respect that had been enjoyed by aristocratic women in the heroic age and which had been eroded
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Exploratory Analytical Modeling Methods,eorg Hamann experienced a conversion and became a devout Lutheran Protestant.. His learned polemic, ., was published in 1759.. Who could say, Hamann protested in that piece, that Socrates was not also to be reckoned among the figures sent by God, that “heaven anointed him its herald and interpreter,
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https://doi.org/10.1007/978-3-319-42307-4he 29-year-old Friedrich Schiller was preparing to deliver his first lecture at the University of Jena. The post as an unsalaried lecturer in the philosophy faculty had been obtained through the efforts of Goethe, who had written to the university in late 1788, that Schiller would be a good acquisit
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