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Titlebook: German Ecocriticism in the Anthropocene; Caroline Schaumann,Heather I. Sullivan Book 2017 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-27 00:31:47 | 只看該作者
https://doi.org/10.1057/978-1-137-54222-9Ecocriticism; German, Swiss, and Austrian literature; environmental humanities; Anthropocene; Urban ecol
32#
發(fā)表于 2025-3-27 01:43:39 | 只看該作者
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發(fā)表于 2025-3-27 10:29:19 | 只看該作者
2946-3157 t comprehensive and cohesive volume of essays dedicated to l.This book offers essays on both canonical and non-canonical German-language texts and films, advancing ecocritical models for German Studies, and introducing environmental issues in German literature and film to a broader audience. This vo
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發(fā)表于 2025-3-27 16:24:21 | 只看該作者
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發(fā)表于 2025-3-27 19:59:30 | 只看該作者
https://doi.org/10.1007/978-3-658-32706-4it within the Anthropocene’s dark drama of floods, earthquakes, storms, nuclear explosions, and climate change. Texts such as Goethe’s ., Kleist’s ., Storm’s ., Pausewang’s ., and Trojanow’s . posit various pastoral moments only to rupture and re-shape them with disasters that nevertheless highlight the human enmeshment with the non-human.
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發(fā)表于 2025-3-28 00:28:00 | 只看該作者
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發(fā)表于 2025-3-28 13:55:51 | 只看該作者
Europ?ische Romantik in der Musik Marczak’s Polish-German eco-documentary . (2012). Marczak’s camera also witnesses things that the activists who are his film’s subjects do not, capturing what eludes his protagonists’ Western gazes. Both of these films are cinematic spaces in which rainforest people can be seen and heard, irrespective of their filmmakers’ colonial fantasies.
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