Titlebook: German Ecocriticism in the Anthropocene; Caroline Schaumann,Heather I. Sullivan Book 2017 The Editor(s) (if applicable) and The Author(s)

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Nomogram

Introduction,re and film from the early nineteenth century through today. The volume, however, goes beyond national boundaries by addressing the implications of and the need for transnational, cosmopolitan, and “planetary” perspectives for textual explorations of the physical environment. We briefly outline the

堅(jiān)毅

The Dark Pastoral: A Trope for the Anthropoceneploring how to combine traditional literary tropes like the pastoral with more recent forms such as climate fiction. The dark pastoral trope builds on the pastoral’s long and rich, albeit problematic, literary tradition featuring human beings in highly aestheticized landscapes and re-contextualizes

IRATE

Goethe’s , and the Ecolinguistics of uman lives, shattered economies, failing empires, territorial wars, and environmental degradation. What was understood as the vision of a free republic of the Faustian spirit is now seen as Goethe’s critique of capitalism, colonialism, and technology. If Goethe does not champion Faust as the modern

漂亮

CHART

The Senses of Slovenia: Peter Handke, Stanley Cavell, and the Environmental Ethics of Repetitiontion rather than the Greek (past-oriented) concept of recollection. Drawing on Stanley Cavell’s reading of Thoreau, this chapter explores the environmental ramifications of such a dramaturgy of memory. It investigates the anthropological dialectics of primary and secondary nature, the relation betwe

CHART

LAVE

Speaking Stones: Material Agency and Interaction in Christian Enzensberger’s ,ness and has been infamously denounced as “worldless” by Martin Heidegger, Enzensberger lends stone a voice, thus defying a longstanding hierarchy that since the Middle Ages has placed lithic matter at the very bottom of worldly existence. Yet Enzensberger’s novel can be read as a continuation and e

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moribund