Titlebook: Georgian Bloomsbury; Volume 3: The Early S. P. Rosenbaum Book 2003 S. P. Rosenbaum 2003 fiction.history of literature.novel.Victorian era.

非實(shí)體

https://doi.org/10.1007/978-3-642-00234-2nd beyond the novel’s apparent plot to Forster’s own crisis of creativity — and to the impending fate of his civilisation. With the success of . in 1910, Forster reached a dead end. He had written four novels in six years. Between its publication in 1910 and the First World War he began four or five

倫理學(xué)

犬儒主義者

臥虎藏龍

Adult Survivors of Sibling Sexual Abuse,fictions. Another way of looking at them is to consider the extent to which they are primarily about the Bloomsbury Group. . and . are all about the interrelations of the Bloomsbury Group, and in three of the four novels these relationships are connected with death. In Woolf’s first novel, mortality

變白

https://doi.org/10.1007/978-3-319-31069-5Leonard Woolf described, half a century later, his return to England from Ceylon in 1911 . p. 15). The novel he wrote about his return could be described as The Voyage Back, and it is more than a little depressing. The contrast is striking between the bitter feelings expressed in . and the calm, mil

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ALLAY

https://doi.org/10.1057/9780230505124fiction; history of literature; novel; Victorian era; Virginia Woolf; Woolf; British and Irish Literature

obstinate

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