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Titlebook: George Saunders; Critical Essays Philip Coleman,Steve Gronert Ellerhoff Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Geor

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21#
發(fā)表于 2025-3-25 06:59:46 | 只看該作者
22#
發(fā)表于 2025-3-25 08:36:46 | 只看該作者
23#
發(fā)表于 2025-3-25 14:10:06 | 只看該作者
Toshihiko Masui,Ken Oshiro,Mikiko Kainumaof running around behind.” Thinking and feeling are the opposing judging functions in Jung’s model of consciousness. If we consider Saunders’s process in terms of Jungian judgment, “The Semplica-Girl Diaries” emerges as a product of dream images that took a dozen years to metabolize through active imagination.
24#
發(fā)表于 2025-3-25 19:38:22 | 只看該作者
Inducing Pro-environmental Behavior,c, finalized objects in his fiction. The characters’ voices, captured in microdialogues, are always in the act of dialoguing with others. Additionally, the essay shows that Saunders’s narration never comprises a single, monologic voice, but instead remains on an equal plane with the voices of the characters.
25#
發(fā)表于 2025-3-25 22:34:22 | 只看該作者
26#
發(fā)表于 2025-3-26 03:14:54 | 只看該作者
27#
發(fā)表于 2025-3-26 05:16:15 | 只看該作者
,Cruel Inventions: George Saunders’s Literary Darkenfloxx?, Spiderhead,” which is Saunders’s science-fiction take on the genre of torture porn. Careful attention to that story’s “enhanced” moral interrogation of the reader reveals that it is precisely Saunders’s efforts to steer his reader toward compassion that amount to the story’s greatest act of cruelty.
28#
發(fā)表于 2025-3-26 08:38:03 | 只看該作者
,Dreaming and Realizing “The Semplica Girl Diaries”: A Post-Jungian Reading,of running around behind.” Thinking and feeling are the opposing judging functions in Jung’s model of consciousness. If we consider Saunders’s process in terms of Jungian judgment, “The Semplica-Girl Diaries” emerges as a product of dream images that took a dozen years to metabolize through active imagination.
29#
發(fā)表于 2025-3-26 15:28:51 | 只看該作者
,“Third-person Ventriloquism”: Microdialogues and Polyphony in George Saunders’s “Victory Lap”,c, finalized objects in his fiction. The characters’ voices, captured in microdialogues, are always in the act of dialoguing with others. Additionally, the essay shows that Saunders’s narration never comprises a single, monologic voice, but instead remains on an equal plane with the voices of the characters.
30#
發(fā)表于 2025-3-26 19:36:46 | 只看該作者
2634-579X lving around Saunders‘ canon, ranging from feminism to biopoThis timely volume explores the signal contribution George Saunders has made to the development of the short story form in books ranging from .CivilWarLand in Bad Decline. (1996) to .Tenth of December .(2013). The book brings together a tea
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