Titlebook: George Herbert; A Literary Life Cristina Malcolmson Book 2004 Cristina Malcolmson 2004 England.lyric.poet.British and Irish Literature

Callus

牛馬之尿

The Sidney-Herbert Coterie,s also condemned erotic love, and Sidney and Donne argued that sacred love was preferable. George Herbert therefore took his place as perhaps the most adamant but in no way the first in the Sidney-Herbert coterie to advocate religious love as the proper subject for sonnets.

Defense

Cambridge and University Works,dicated one work to the Arminian Lancelot Andrewes. However I will argue that these were the exceptions to the rule, and may have been the result not of personal conviction but politic strategy. On the whole and in the vast majority of cases, Herbert expressed his commitment to a Protestant England and its potential as an imperial power.

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真實的你

2946-2037 e with the religion, politics and society of his time. Instead of an isolated genius living in retreat from the world, Herbert appears as a man writing public verse, active within an important social circle, and committed to nationalistic Protestantism. The book attends to the poetic brilliance of h

出汗

Book 2004 religion, politics and society of his time. Instead of an isolated genius living in retreat from the world, Herbert appears as a man writing public verse, active within an important social circle, and committed to nationalistic Protestantism. The book attends to the poetic brilliance of his verse a

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https://doi.org/10.1057/9780230535732England; lyric; poet; British and Irish Literature

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https://doi.org/10.1007/978-94-010-2525-69, with the knowledge that his family was related to Sir Philip Sidney, the originator of the English sonnet sequence, and with an awareness of the poetic exchange between his brother Edward Herbert and John Donne. Because George’s sonnets announced his intention to write religious lyrics, modern cr

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