Titlebook: George Eliot and Italy; Andrew Thompson Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 culture.fiction.Geor

是消毒

書目名稱George Eliot and Italy影響因子(影響力)




書目名稱George Eliot and Italy影響因子(影響力)學(xué)科排名




書目名稱George Eliot and Italy網(wǎng)絡(luò)公開度




書目名稱George Eliot and Italy網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱George Eliot and Italy被引頻次




書目名稱George Eliot and Italy被引頻次學(xué)科排名




書目名稱George Eliot and Italy年度引用




書目名稱George Eliot and Italy年度引用學(xué)科排名




書目名稱George Eliot and Italy讀者反饋




書目名稱George Eliot and Italy讀者反饋學(xué)科排名

FIG

一再遛

,George Eliot’s Contact with Italian Life and Culture 1840–61,rs and journals, her journalism and her trips to Italy in the 20 years or so until Unification. The treatment given is roughly chronological, though I have not attempted to give an exhaustive survey of Eliot’s contact with Italian life. Rather I have concentrated on those elements which seem to me t

評(píng)論者

繁榮中國(guó)

Forsake

Forsake

臥虎藏龍

Italian Culture and Influences in , particular Dorothea, Ladislaw and some of the Middlemarchers, use, or attempt to use, aspects of Italian culture as hermeneutic devices in their readings of their fellow beings or the world around them. Italian life and culture enter the novel in a variety of ways, from vague prejudice to impassion

languid

上流社會(huì)

Italian Poetry and Music in ,s . V (‘There is no greater pain than to recall the happy time in misery’ (121–3)); ‘.’ [‘For pity’s sake say not Farewell’] by Metastasio and the patriotic ode . [‘To Italy’] by Giacomo Leopardi.. The lines by Dante, particular favourites of Eliot’s, have already been touched on in Chapters 6 and 7