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Titlebook: George Eliot and Intoxication; Dangerous Drugs for Kathleen McCormack Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Lim

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書目名稱George Eliot and Intoxication
副標題Dangerous Drugs for
編輯Kathleen McCormack
視頻videohttp://file.papertrans.cn/384/383987/383987.mp4
圖書封面Titlebook: George Eliot and Intoxication; Dangerous Drugs for  Kathleen McCormack Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Lim
描述Throughout George Eliot‘s fiction, not only do a remarkable number of her characters act under the influence of unwise consumption of alcohol and opium, but drugs also recur often as metaphors and allusions. Together, they create an extensive pattern of drug/disease references that represent socio-political problems as diseases in a social body and solutions to those problems (especially solutions that depend on some kind of written language) as volatile remedies that retain the potential to either kill or cure.
出版日期Book 2000
關(guān)鍵詞bibliography; body; consumption; corpus; England; fiction; George Eliot; knowledge; landscape; landscapes; lan
版次1
doihttps://doi.org/10.1057/9780230596115
isbn_ebook978-0-230-59611-5
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
The information of publication is updating

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Ein neues Sales-Modell: Emotion Selling,ntoxicating substances and literature: their roles as stimuli to artistic creativity and their roles as metaphors for intense and dangerous love. Not only does much Romantic poetry and prose suggest a belief in a causal relationship between drugs and creativity, but it also often assigns a metaphori
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Analyzing Language and Emotion,rience among the people and landscapes of the central provinces to develop the intoxication plots and metaphors in her novels. In addition, she found drug-related figures common among contemporary writers as well as in the works that form the inherited literary treasure (as both she and John Ruskin
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Emotion in Organizational Changerge Eliot, perhaps acknowledging the quintessential Britishness of one of her favorite settings, does not attempt to substitute Italian wine shops for her public houses. Instead, she disperses activities she has heretofore located in inns and taverns and their yards among three settings: Nello’s bar
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https://doi.org/10.1007/978-3-322-91656-3nsible parenthood, class ambition, various addictions, deficient educations, physical and moral sicknesses-all presented concurrently with failed attempts to produce stable effects from such volatile and powerful kinds of language as prayer, romantic poetry, wills, mythography, medical treatises, an
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