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Titlebook: Geography of Horror; Spaces, Hauntings an Marko Luki? Book 2022 The Author(s), under exclusive licence to Springer Nature Switzerland AG 20

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發(fā)表于 2025-3-21 18:46:48 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Geography of Horror
副標題Spaces, Hauntings an
編輯Marko Luki?
視頻videohttp://file.papertrans.cn/384/383256/383256.mp4
概述Builds on different theoretical paradigms and traces a variety of haunted spaces in horror film and literature.Explores the unique role of human geography in the process of mapping a genre.Comprehensi
叢書名稱Palgrave Gothic
圖書封面Titlebook: Geography of Horror; Spaces, Hauntings an Marko Luki? Book 2022 The Author(s), under exclusive licence to Springer Nature Switzerland AG 20
描述This book provides a comprehensive reading of a space/place-based experience from the birth of the American horror genre (nineteenth century American Romanticism) to its rise and evolution in the twentieth and twenty-first centuries. Exploring a series of narratives, this study focuses on the role of space and place as key elements for successful articulation of horror. The analysis, therefore, employs different theoretical premises and concepts belonging to human geography, which, while being part of the larger discipline of geography, predominantly directs its attention towards the presence and activities of humans. By connecting such theoretical readings with the continuously evolving American horror genre, this book offers a unique insight into the academically unexplored trans-disciplinary spatially based reading of the genre.
出版日期Book 2022
關(guān)鍵詞Horror Genre; Space; Place; Literature; Film; America; Heterotopias; Body
版次1
doihttps://doi.org/10.1007/978-3-030-99325-2
isbn_softcover978-3-030-99327-6
isbn_ebook978-3-030-99325-2Series ISSN 2634-6214 Series E-ISSN 2634-6222
issn_series 2634-6214
copyrightThe Author(s), under exclusive licence to Springer Nature Switzerland AG 2022
The information of publication is updating

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Bewertung der Kosten- und LeistungsfaktorenMaine, the readers are first introduced to a reimagining of the region/state now filled with coexisting real and imagined locations and towns, a praxis already implemented by Lovecraft and now embraced by King. This introduction to the “promised land of mythical times”, as described by Maurice Lévy
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https://doi.org/10.1007/978-3-322-97624-6s will also extend to the concept of American suburban spaces that, by functioning as a natural extension of the space of the house, reinforces and further develops many of the previously established critical discourses. However, to adequately explore the cultural and symbolical sedimentation that c
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Vergleichende Wirtschaftlichkeitsberechnung,tself within it. And while the forest acts as a prohibitive space, a location where the demonic becomes articulated, and as such offers a polarity-based understanding of space, whereby the small-town functions as a safe haven against the surrounding threats, Brown realizes that the actual evil (or i
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Mapping Horror,ual space of the internet and the surface of Mars as seen through the lens of the latest rover. Despite this overwhelming historical tendency to address and give meaning to space, it is not until 1967, and the lecture titled “Of Other Spaces” given by Michel Foucault, that an actual awareness of the
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