Titlebook: Geoffrey Chaucer; Janette Dillon Textbook 1993Latest edition Macmillan Publishers Limited 1993 bibliography.Chaucer.chronology.culture.dea

Malevolent

書(shū)目名稱(chēng)Geoffrey Chaucer影響因子(影響力)




書(shū)目名稱(chēng)Geoffrey Chaucer影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Geoffrey Chaucer網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Geoffrey Chaucer網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Geoffrey Chaucer被引頻次




書(shū)目名稱(chēng)Geoffrey Chaucer被引頻次學(xué)科排名




書(shū)目名稱(chēng)Geoffrey Chaucer年度引用




書(shū)目名稱(chēng)Geoffrey Chaucer年度引用學(xué)科排名




書(shū)目名稱(chēng)Geoffrey Chaucer讀者反饋




書(shū)目名稱(chēng)Geoffrey Chaucer讀者反饋學(xué)科排名

SKIFF

ARK

Literary Production and Audience,works to a group of people meant that the audience was certainly much wider than the number of manuscripts produced, so that it is impossible to establish with any certainty the size of audience for a given text.

Flatter

Acupressure

Synapse

,‘Greet altercacioun’: The Influence of Philosophy,ment of philosophy, as the age when a few thinkers begin to suggest the existence of a possible gap between reason and faith, and it is perhaps symptomatic that its two most influential thinkers, Ockham and Wyclif, were accused of heresy.

Synapse

collateral

Textbook 1993Latest editionand Criseyde, The Book of the Duchess and The Parliament of Fowls, interpreting them in the light of contemporary ideology and literary practice, and underlining the specific relations between texts and audiences in a manuscript culture.

過(guò)渡時(shí)期

, Troilus and Criseyde, The Book of the Duchess and The Parliament of Fowls, interpreting them in the light of contemporary ideology and literary practice, and underlining the specific relations between texts and audiences in a manuscript culture.

任意

Textbook 1993Latest editionoutline of the period for those coming to it for the first time. The book focuses on particular poetic texts, including The Canterbury Tales, Troilus and Criseyde, The Book of the Duchess and The Parliament of Fowls, interpreting them in the light of contemporary ideology and literary practice, and