Titlebook: Geocriticism; Real and Fictional S Bertrand Westphal Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 fiction.literary

現(xiàn)存

Anecdote

Immigration Policies of the United States,e sure, unfortunate events could disturb its course, but nothing could interrupt its flow. In ., Scarlett O’Hara could witness houses burning under the Georgia skies, lovers separated, corpses piled by the hundreds, and yet she could aver, “Tomorrow is another day.” For her, the progression of time

極小量

1840s: The Theoretical Foundationy ceases to be oriented to a coherent whole. Postmodern temporality is characterized by isotropy, which is the scientific name of this systemic indeterminacy, and this isotropy is then extended to the spatial representation. We must not confuse isotropy with isotopy. For some, like Henri Lefebvre, i

antiquated

https://doi.org/10.1007/b108610mptuous to try to establish a list of variations on the theme of representation here. I content myself with a minimal definition, that of Mark Bonta and John Protevi, for whom representation is “the duplication or tracing in mental images of things composing the world … Representation operates on th

Discrete

The international transmission of inequalitya fictional character’s point of view. One might call this an ego-centered analysis, since discourse on space is made to serve the discourse on the writer, who becomes the ultimate object of critical attention. For example, only in some of its paradigms does imagology reserve a place for the realeme

exceed

自制

Spatiotemporality,-topheles or Mikhail Bulgakov’s Woland, and more so in some respects. What was his strength? According to Ilya Prigogine and Isabelle Stengers, Laplace’s demon was “capable at any given instant of observing the position and velocity of each mass that forms part of the universe and of inferring its e

嬰兒

Colonnade

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