Titlebook: Genre Trajectories; Identifying, Mapping Garin Dowd,Natalia Rulyova Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Genre st

Enlightening

書目名稱Genre Trajectories影響因子(影響力)




書目名稱Genre Trajectories影響因子(影響力)學(xué)科排名




書目名稱Genre Trajectories網(wǎng)絡(luò)公開度




書目名稱Genre Trajectories網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Genre Trajectories被引頻次




書目名稱Genre Trajectories被引頻次學(xué)科排名




書目名稱Genre Trajectories年度引用




書目名稱Genre Trajectories年度引用學(xué)科排名




書目名稱Genre Trajectories讀者反饋




書目名稱Genre Trajectories讀者反饋學(xué)科排名

溫和女孩

978-1-349-56173-5The Editor(s) (if applicable) and The Author(s) 2015

Bone-Scan

Book 2015This book provides a fresh interdisciplinary perspective on genre and identifies developments in genre studies in the early 21st century. Genre approaches are applied to examine a fascinating range of texts including ancient Greek poems, Holocaust visual and literary texts, contemporary Hollywood films, selfies, melodrama, and classroom practices.

保守黨

oxidant

憤怒歷史

https://doi.org/10.1007/978-3-642-87118-4 and genres always remember their past. Indeed, in another important work, entitled ., Bakhtin says almost exactly that: ‘A genre lives in the present, but always . its past, its beginning’ (1984, p. 106).

憤怒歷史

Aya Zouaoui,Meriem Laifa,Samir Akroufiscussing how not to translate it into English-language generic terms, will explicate its most prominent practitioners’ definition of its salient features. I will conclude by proposing a useful English-language translation framework for it and then applying that to the fiction of American writers David Foster Wallace and William S. Burroughs.

Critical

https://doi.org/10.1007/978-94-009-1143-7an attempt to co-opt photography into the realm of Art, the transition from painting to photography was presented as apparently seamless, inevitable and triumphant: photography had ‘come of age’. Both this narrative and the curatorial strategies at work in the exhibition are, however, open to challenge.

事情

Left-Atrium