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Titlebook: Gendered Identity and the Lost Female; Hybridity as a Parti Shrabani Basu Book 2022 The Editor(s) (if applicable) and The Author(s), under

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發(fā)表于 2025-3-21 17:25:34 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Gendered Identity and the Lost Female
副標(biāo)題Hybridity as a Parti
編輯Shrabani Basu
視頻videohttp://file.papertrans.cn/382/381851/381851.mp4
概述Presents the first gendered perspective on the hybrid experience in the Caribbean performative imaginary.Discusses inherent sexism in the representation of identity in Indo-Caribbean performance indus
圖書封面Titlebook: Gendered Identity and the Lost Female; Hybridity as a Parti Shrabani Basu Book 2022 The Editor(s) (if applicable) and The Author(s), under
描述.?This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective..In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination..Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real
出版日期Book 2022
關(guān)鍵詞Hybrid Identity; Caribbean Studies; Postcolonial Feminism; Carnival; Calypso; Chutney Music
版次1
doihttps://doi.org/10.1007/978-981-19-4967-8
isbn_softcover978-981-19-4969-2
isbn_ebook978-981-19-4967-8
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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發(fā)表于 2025-3-21 20:47:42 | 只看該作者
Race, Performance, Identity, and the Possibility of an Incomplete Articulation of Hybridity,uities through a seemingly pervasive term “cultural hybridity,” connecting it with the racial narrative. The chapter consults the works of Homi K. Bhabha, Stuart Hall, Doreen Massey, Nederveen Pieterse, Shalini Puri, and others in an attempt to approximate different facets of hybridity discourse. Pu
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發(fā)表于 2025-3-22 03:38:59 | 只看該作者
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發(fā)表于 2025-3-22 08:33:39 | 只看該作者
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發(fā)表于 2025-3-22 08:51:36 | 只看該作者
Conclusion, little ambitious to call this book a postfeminist argument, though it looks into the representation of hybrid identity considering it as “a product of the interventions of women of color into the feminist debate” (qtd in Genz and Brabon, 120).
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發(fā)表于 2025-3-22 14:02:05 | 只看該作者
https://doi.org/10.1007/978-981-19-4967-8Hybrid Identity; Caribbean Studies; Postcolonial Feminism; Carnival; Calypso; Chutney Music
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發(fā)表于 2025-3-22 18:08:54 | 只看該作者
978-981-19-4969-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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